Synopses & Reviews
Sheriff Hackberry Holland patrols a small Southwest Texas border town with a deep and abiding respect for the citizens in his care. Still mourning the loss of his cherished wife and locked in a perilous almost-romance with his deputy, Pam Tibbs, a woman many decades his junior, Hackberry feeds off the deeds of evil men to keep his own demons at bay.
When alcoholic ex-boxer Danny Boy Lorca witnesses a man tortured to death in the desert and reports it, Hacks investigation leads to the home of Anton Ling, a regal, mysterious Chinese woman whom the locals refer to as La Magdalena and who is known for sheltering illegals. Ling denies having seen the victim or the perpetrators, but there is something in her steely demeanor and aristocratic beauty that compels Hackberry to return to her home again and again as the investigation unfolds. Could it be that the sheriff is so taken in by this creature who reminds him of his deceased wife that he would ignore the possibility that she is just as dangerous as the men she harbors?
The danger in the desert increases tenfold with the return of serial murderer Preacher Jack Collins, whom The New York Times called “one of Burkes most inspired villains.” Presumed dead at the close of Rain Gods, Preacher Jack has reemerged with a calm, single-minded zeal for killing that is more terrifying than the muzzle flash of his signature machine gun. But this time he and Sheriff Holland have a common enemy.
Praised by Joyce Carol Oates for “the luminosity of his writerly voice,” James Lee Burke returns with his most allegorical novel to date, illuminating vital issues of our time—immigration, energy, religious freedom—with the rich atmosphere and devastatingly flawed, authentic characters that readers have come to celebrate during the five decades of his brilliant career.
Review
“As Burke steers the elaborately structured narrative toward its violent conclusion, we are afforded looks inside the tortured psyches of his various combatants, finding there the most unlikely of connections between the players. This is one of Burke’s biggest novels, in terms of narrative design, thematic richness, and character interplay, and he rises to the occasion superbly, a stand-up guy at the keyboard, as always. . . . Though he is best known for his Dave Robicheaux series, the broader canvas of this Hackberry Holland adventure makes a fittingly grand stage on which to play out such a landmark event in American publishing.”—Bill Ott, Booklist (starred review)
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“The dialogue scenes, along with the action sequences, the South Texas landscape and the indelibly conflicted characters make you want to give Burke a medal.”—Kirkus Reviews
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“James Lee Burke is, quite simply, a genius, an exemplar of all that is great in American writing, and Feast Day of Fools is moving, and humane, and poetically, terrifyingly brilliant. As Burke gets older, he just gets better: in doing so, he gives hope to the generation of writers influenced by him, while simultaneously reminding us of how far we still have to go to be that good.”—John Connolly, New York Times bestselling author of The Burning Soul
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“[O]utstanding. . . . The richness of Burke's characters, always one of his strengths, reaches new heights . . . . The intricately plotted narrative takes numerous unexpected turns, and Burke handles his trademark themes of social justice and corruption with his usual subtlety.”
—Publishers Weekly (starred review)
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An Indie Next List Pick for October 2011
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“[Feast Day of Fools] further cements Burke’s status as one of America’s greatest contemporary novelists. . . . Burke weaves a tapestry of unique characters whose widely differing motivations enrich his tale. . . . This rich novel will satisfy Burke’s fans and should draw new ones who have not yet had the privilege of reading his works.”—Library Journal
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“Nobody turns suspense into poetry like James Lee Burke.”—San Antonio Express-News
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“Nobody writes quite like James Lee Burke. He gets better with each successive book. . . . Hold on tight, this is a wild ride.”—Dayton Daily News
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“You know what is rare? A veteran and prodigious writer who never lets you down. Who, with each book, and I’m talking about a lot of books, makes you feel like you have discovered something new, learned some hidden truth about human behavior and society. James Lee Burke is one of those rarities. Book to book he keeps it going, never disappointing. Last year's masterpiece is just prelude to this year's new masterpiece. . . . This year, we have Feast Day of Fools and my survey of Burke books in between concludes that he remains the heavy weight champ, a great American novelist whose work, taken individually or as a whole, is unsurpassed.”—Michael Connelly, New York Times bestselling author of The Lincoln Lawyer
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“Holy shit does this novel crush into its pages a whole war chest of bloody drama and brutal questions about what it means to be an American and a Christian and a Christian American in the new century. . . . James Lee Burke—muscular and elegiac, brutal and compassionate—is a Stetson-wearing, spur-jangling giant among novelists.”—Benjamin Percy for Esquire
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“Burke’s evocative prose remains a thing of reliably fierce wonder.”—Entertainment Weekly
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“James Lee Burke's thirty superbly written mysteries and Westerns have always been allegorical, illuminating the grandest of themes. Over the years, he has written about racism, neocolonialism, the rape of the environment, the hijacking of Christianity by hateful bigots and the futility of war. He has written about manipulative political and business figures, and about the quest for individual and national redemption. He has also explored the nature of evil. . . . In Feast Day of Fools, Burke pulls all of his themes together in a master work that comprises his unified theory of America at the beginning of the 21st century. . . . And as always in a Burke novel, the landscape is vividly described in passages so poetic they could be broken into lines of verse.”—Bruce DeSilva, The Associated Press
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“When the literary lights of the 21st century go marching in, James Lee Burke will be leading the parade. For five decades, Burke has created memorable novels that weave exquisite language, unforgettable characters, and social commentary into written tapestries that mirror the contemporary scene. His work transcends genre classification. . . . Feast Day of Fools is a richly complex novel with several themes and subplots. . . . extraordinary characterizations, dialogue, sense of place, and an almost mystical, allegorical summation.”—Philadelphia Inquirer
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“Like the hero of his 30th work, to be published Tuesday, James Lee Burke delivers—again. There's a reason Burke, 75, has earned the Grand Master title from the Mystery Writers of America and is tagged by some colleagues as the greatest living mystery writer. . . . He combines complex characterization, driving action and a philosophical bent—and his consistency is remarkable, carrying him through 18 Dave Robicheaux books, set in Louisiana, and now the third novel in the Hack Holland series. The man is legendary, and rightly so. . . . But Feast Day of Fools is more than action. It's a sprawling, compelling, allegorical story with characters that just won't get out of my mind. Through it all, Burke shares some of his hard-won knowledge about life. And that makes it one of the Grand Master's best.”—New Orleans Times-Picayune
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“At 75, Burke is writing each book as if it could be his final one. . . . [Feast Day of Fools] is soaked with a sense of mortality. . . . It's easy to hear echoes of Hemingway and Cormac McCarthy, but Burke is his own writer. He carries off a rich underlayer of Christian imagery without falling into predictable symbolism. Burke is a master of meaty dialogue, darkly funny passages in which characters reveal themselves while talking at cross-purposes. And this woebegone place, beset by thunderstorms that don't penetrate the hard soil, is just as vivid, though very different, from the swampy Louisiana of his Robicheaux novels. . . . Burke uses the simple framework of a series mystery to explore a world at the border of the realistic and the mythic.”—The Columbus Dispatch
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“Reading Feast Day of Fools is an experience in yin and yang. It's a beautiful poem shot full of lead. It's like a picture postcard slashed with a bloody knife. It's heartbreakingly gorgeous and sandpaper-harsh, both at the same time. . . . [If] you're up for a wild ride through the sagebrush, then, Feast Day of Fools is a book to own.”—Flint Journal
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“James Lee Burke presses onward with his singular mission to rewrite the American western in Feast Day of Fools . . . Burke is constructing a whole mew mythology in this series, with characters haunted by history and driven by ghosts. . . . Hackberry Holland’s assertion that ‘a martial and savage spirit had ruled these hills’ since the time of the conquistadors is a good man’s way of saying that the violence we do sinks into the ground we walk on and becomes part of our collective heritage.”—The New York Times Book Review
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“Riveting . . . Burke is creating an allegorical, almost Biblical setting here: The lost wander hopelessly in the desert, seeking revenge or redemption or some terrible mix of both. The moral center in all of this is Hackberry Holland, who feels old ‘in the way people feel old when they have more knowledge of the world than they need.’ He’s Burke’s most fascinating character, a man whose sense of justice has been shaken but not destroyed. Equally compelling is Pam Tibbs, the most no-nonsense woman in fictional law enforcement (‘Men often thought she was trying to be cute. They were mistaken’). The push-and-pull between the two is just one more of Burke’s thrilling examples of the mysteries of the human heart.”—The Miami Herald
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“He’s a genius, Burke, and I read everything he puts out. All his novels are about good vs. evil and how hard it is to overcome evil. This one’s about a Texas sheriff and two villains, one associated with the [drug] cartels, the other a mass murderer. The three of them collide.”—Bill O'Reilly for the New York Post
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“Parker demonstrates remarkable command of his material, from the gruesome realities of the Mexican drug trade to a surprising;ly human portray of the monstrous Armenta….a crime thriller notable for its fine, insightful prose.” —
Publishers Weekly, starred review, on
The JaguarReview
“Parker convincingly portrays Mexico, torn apart by the wars between the cartels and the government, and between the cartels themselves.” —
Suspense Magazine on
The JaguarReview
“An epic tale…The Charlie Hood novels are nothing less than addictive.” —
Tucson Citizen on
The JaguarReview
“A weighty and entertaining exploration of vice and virtue, staged in a complex plot that leaves the reader eager to find out what will develop for Charlie Hood and his cohorts in the next border series novel.” —
North County Times on
The JaguarReview
“Parker could well be the best crime writer working out of Southern California.”—
Chicago Tribune on T. Jefferson Parker
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“Parker ranks as one of the top contemporary suspense writers.” —
Publishers Weekly on T. Jefferson Parker
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“If there’s a better mystery writer around…well, there isn’t.” "Superbly wrought...Intensely readable." —
San Diego Union Tribune on T. Jefferson Parker
Review
Praise for T. Jefferson Parker:
"Parker could well be the best crime writer working out of Southern Caifornia."
-Chicago Tribune
"Parker ranks as one of the top contemporary suspense writers."
-Publishers Weekly
"Parker convincingly portrays Mexico, torn apart by the wars between the cartels and the government, and between the cartels themselves."
-Suspense Magazine on The Jaguar
"Three-time Edgar winner Parker has created a memorable character in Charlie Hood, who remains a beacon of restrained hope in a world of despair and dark deeds."
-Tucson Citizen on The Border Lords
"An epic tale...The Charlie Hood novels are nothing less than addictive."
-Tucson Citizen on The Jaguar
"Since the days of Raymond Chandler, California has produced some of our finest crime novelists, and today the likes of Michael Connelly, Don Winslow, and Joseph Wambaugh continue the tradition. With Iron River, Parker demonstrates again the he belongs in their company."
-Associated Press
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“Parker, the winner of three Edgar awards for crime fiction, again delivers a tale that is not only well-plotted and suspenseful, but subtle, surprising and endearingly perverse.” -
Washington Post "Parker has always chaffed at the boundaries of the crime fiction genre, creating wildly inventive characters and surprising storylines. His risk-taking alone makes all of his work, including the Charlie Hood series, well worth reading." - Associated Press
"T. Jefferson Parker has carved out a niche for himself as the Hemingway of thriller writers." - Providence Sunday Journal
Review
"Ambitious, daring...brilliant."--
The Associated Press
"T. Jefferson Parker has burgled the crumbling palace of Edgar Allan Poe for inspiration."--The Wall Street Journal
“Parker, the winner of three Edgar awards for crime fiction, again delivers a tale that is not only well-plotted and suspenseful, but subtle, surprising and endearingly perverse.” - Washington Post
"T. Jefferson Parker has carved out a niche for himself as the Hemingway of thriller writers...His writing is a wonder to behold." - Providence Sunday Journal
Review
Praise for T. Jefferson Parker:
"If you're interested in the best of today's crime fiction, [Parker's] someone you should read."--The Washington Post
"Parker could well be the best crime writer working out of Southern Caifornia."--Chicago Tribune
"The Charlie Hood novels are nothing less than addictive."--Tucson Citizen
"The most groundbreaking crime series in decades."--St. Louis Post-Dispatch
"This is gripping literary entertainment with a point."--Los Angeles Times
"Some of the finest writing you'll ever read."--Chicago Sun-Times
"No writer can match Parker when it comes to characters and mood. [Parker] is a brilliant craftsman and storyteller."--The Providence Sunday Journal
Synopsis
Celebrated crime master James Lee Burke returns with a gorgeously crafted, brutally resonant chronicle of violence along the Texas-Mexico border.
Synopsis
Celebrated crime master and two-time Edgar Award winner James Lee Burke returns with a gorgeously crafted, brutally resonant chronicle of violence along the Texas-Mexico border.
Sheriff Hackberry Holland patrols a small Southwest Texas border town, meting out punishment and delivering justice in his small square of this magnificent but lawless land. When an alcoholic ex-boxer named Danny Boy Lorca begs to be locked up after witnessing a man tortured to death by a group of bandits, Hack and his deputy, Pam Tibbs, slowly extract the Indian man’s gruesome tale. It becomes clear that the desert contains a multitude of criminals, including serial murderer Preacher Jack Collins (whom The New York Times Book Review called “one of Burke’s most inspired villains”).
Holland’s investigation leads him to Anton Ling, a mysterious Chinese woman whose steely demeanor and aristocratic beauty compel Hackberry to return to her home again and again as the investigation unfolds.
James Lee Burke is at his engrossing and atmospheric best in this, his thirtieth novel, as Hackberry plumbs the depths of man’s inhumanity to man—from killers-for-hire, to the U.S. government, to the misguided souls in search of a better life across the border.
Synopsis
The explosive conclusion to T. Jefferson Parker’s New York Times bestselling Charlie Hood series Los Angeles County sheriff ’s deputy Charlie Hood is attached to the ATF, working undercover on the iron river that flows across the U.S.-Mexican border. The diamond fillings he wears in his left canine glimmer, distracting the men who sell the illegal firearms that enable the unspeakable violence on both sides of the map. Spotting the sparkle when “Charlie Diamonds” opens his mouth is often their first step toward life behind bars.
Meanwhile, Bradley Jones, sheriff ’s deputy and employee of the Baja Cartel, son of the love of Charlie’s life, the deceased L.A. outlaw Suzanne Jones, is expecting a son of his own. Suzanne was descended from famed Mexican desperado Joaquin Murrieta, whose embalmed head Bradley inherited from her and keeps nestled among piles of cash, proceeds from Bradley’s own life of crime.
Charlie knows all of Bradley’s secrets; the question is what he’ll do with the information. Until he decides, his obsession remains the inexplicable existence of Mike Finnegan, the diminutive devil who flits in and out of both men’s lives, knowing things he shouldn’t, seemingly immortal.
Three men: earnest law-enforcer, inveterate lawbreaker, and the man who pits them against each other—hurtle toward one another in the jaw-dropping conclusion to T. Jefferson Parker’s mesmerizing vision of the border. Their climactic showdown brings to a spectacular close a crime series that obliterated the boundaries of the genre.
Synopsis
The explosive finale in T. Jefferson Parkers New York Times bestselling Charlie Hood series, which will bring together the destinies of three men caught between light and darkness.
Los Angeles County sheriff s deputy Charlie Hood is attached to the ATF, working undercover on the illegal arms trade that flows across the U.S.-Mexican border. The sparkle of the diamond fillings he wears in his left canine distracts his task force targets and is often the first step toward a long stay behind bars.
Meanwhile, Bradley Jones--sheriff s deputy, employee of the Baja Cartel, and son of the love of Charlies life, the deceased L.A. outlaw Suzanne Jones--is expecting a son of his own. Suzanne was descended from famed Mexican desperado Joaquin Murrieta, whose embalmed head Bradley inherited from her and keeps nestled among piles of cash, proceeds from Bradleys own life of crime.
Charlie knows Bradleys secrets, all of them; the question is what hell do with the information. But he still has to contend with the devilish Mike Finnegan, who flits in and out of the lives of his friends, knowing things he shouldnt, seemingly immortal, delighting in the havoc he wreaks.
All three men are about to meet. But all will not survive.....
About the Author
James Lee Burke, a rare winner of two Edgar Awards, and named Grand Master by the Mystery Writers of America, is the author of thirty previous novels and two collections of short stories, including such New York Times bestsellers as The Glass Rainbow, Swan Peak, The Tin Roof Blowdown, Last Car to Elysian Fields, and Rain Gods. He lives in Missoula, Montana.