Synopses & Reviews
"Eloquent, aware and scrupulous . . . a rich and instructive examination of the Cold War past." --The New York Times
In 1978 a romantic young Englishman took up residence in Berlin to see what that divided city could teach him about tyranny and freedom. Fifteen years later Timothy Garton Ash--who was by then famous for his reportage of the downfall of communism in Central Europe--returned. This time he had come to look at a file that bore the code-name "Romeo." The file had been compiled by the Stasi, the East German secret police, with the assistance of dozens of informers. And it contained a meticulous record of Garton Ash's earlier life in Berlin.
In this memoir, Garton Ash describes what it was like to rediscover his younger self through the eyes of the Stasi, and then to go on to confront those who actually informed against him to the secret police. Moving from document to remembrance, from the offices of British intelligence to the living rooms of retired Stasi officers, The File is a personal narrative as gripping, as disquieting, and as morally provocative as any fiction by George Orwell or Graham Greene. And it is all true.
"In this painstaking, powerful unmasking of evil, the wretched face of tyranny is revealed." --Philadelphia Inquirer
Synopsis
A journalist renowned for his A coverage of the downfall of communism in Eastern Europe produces a gripping personal account of state surveillance and individual betrayal in Cold War Germany.
In 1978 Timothy Garton Ash, then a young graduate student, took up residence in Berlin to explore its legacy of tyranny and freedom. Fifteen years later he returned to examine the meticulously documented file that the Stasi -- the infamous East German secret police -- had kept on him. The reports in this file had been supplied by dozens of informers, many of whom had been Garton Ash's friends and lovers.
Moving from memory to official evidence, from the offices of British intelligence to the living rooms of retired Stasi officers, and from metaphorical spying on a younger self to confrontations with his actual informers, The File is as gripping, as disquieting, and as morally provocative as anything by George Orwell or Graham Greene.