Synopses & Reviews
Irish-born English painter Francis Bacon (1909-1992) created work that remains unmatched in raw force and vitality, and he is widely considered one of the greatest artists of the twentieth century. Critic Ronald Jones has described his themes as the howling subjects with which Bacon struggled--Existentialism, Abstract Expressionism and the primal drama of a world newly acquainted with the Bomb. Bacon was preoccupied with probing the isolation and terror of the human condition, which he chiefly conveyed through a labored distortion of the human body. As Sam Hunter--who penned one of the first major essays on Bacon in 1950--writes in his introductory essay to this volume, what has become increasingly clear with the test of time...is the clarity, durability and powerful authority of his visual discourse. This concise monograph presents an in-depth survey of Bacon's entire oeuvre.
British artist Francis Bacon is one of the greatest painters of the twentieth century. His canvases of the 1940s bore witness to the traumatized psychology of the time and bestowed upon him a prominence that did not diminish in the course of his 50-year career. Recent auction sales have confirmed his works as some of the most sought-after of the Modern era.
Synopsis
No artist's studio rivals Francis Bacon's in terms of sheer iconic pungency. The artist's furious hurricanes of creativity were writ large upon its walls, scattered across its floors in a sea of paint pots, brushes, discarded canvases and much-abused source and reference materials, all of which seemed to bespeak Bacon's chaotically rigorous processes: bodybuilding snaps, reproductions of Muybridge time-lapse sequences, photo-booth self-portraits, magazine cuttings, tattered monographs, medical textbooks with images of unusual and often horrific wounds and diseases, and countless photos of friends such as Lucian Freud, John Deakin, Isabel Rawsthorne, Muriel Belcher and George Dyer, from which the artist built his portraits of them. Bacon's exceptional eloquence on the subject of his painting process, taken in combination with the iconicity and visual impact of his studio, enables his admirers to envisage something of how his paintings were made. In celebration of the centenary of Bacon's birth, and chiming with an exhibition at the Dublin City Gallery, A Terrible Beauty excavates Bacon's studio to reveal the methods, materials and processes through which Bacon arrived at his paintings.