Synopses & Reviews
Racist paganism is a thriving but understudied element of the American religious and cultural landscape.
Gods of the Blood is the first in-depth survey of the people, ideologies, and practices that make up this fragmented yet increasingly radical and militant milieu. Over a five-year period during the 1990s Mattias Gardell observed and participated in pagan ceremonies and interviewed pagan activists across the United States. His unprecedented entree into this previously obscure realm is the basis for this firsthand account of the proliferating web of organizations and belief systems combining pre-Christian pagan mythologies with Aryan separatism. Gardell outlines the historical development of the different strands of racist paganismandmdash;including Wotanism, Odinism and Darkside Asatranduacute;andmdash;and situates them on the spectrum of pagan belief ranging from Wicca and goddess worship to Satanism.
Gods of the Blood details the trends that have converged to fuel militant paganism in the United States: anti-government sentiments inflamed by such events as Ruby Ridge and Waco, the rise of the white power music industry (including whitenoise, dark ambient, and hatecore), the extraordinary reach of modern communications technologies, and feelings of economic and cultural marginalization in the face of globalization and increasing racial and ethnic diversity of the American population. Gardell elucidates how racist pagan beliefs are formed out of various combinations of conspiracy theories, anti-Semitism, warrior ideology, populism, beliefs in racial separatism, Klandom, skinhead culture, and tenets of national socialism. He shows how these convictions are further animated by an array of thought selectively derived from thinkers including Nietzche, historian Oswald Spengler, Carl Jung, and racist mystics. Scrupulously attentive to the complexities of racist paganism as it is lived and practiced, Gods of the Blood is a fascinating, disturbing, and important portrait of the virulent undercurrents of certain kinds of violence in America today.
Review
andrdquo;Gods of the Blood represents the culmination of the author's tireless fieldwork among America's radical right: race activists of every description, denizens of the occult underground, and adherents of a variety of small oppositional religio-political belief systems throughout the United States. Never before has a scholar had the means, the determination, or the unparalleled access Mattias Gardell has been accorded in the American radical right.andrdquo;andmdash;Jeffrey Kaplan, author of the Encyclopedia of White Power: A Sourcebook on the Radical Racist Right
Review
andquot;Gods of the Blood will stand as the definitive work on white racist neopaganism in the United States, a movement virtually invisible until now. Mattias Gardell has gained remarkable access to this secretive religious subculture, mapping its feuds, factions, and rivalries.andquot;andmdash;Michael Barkun, author of Religion and the Racist Right
Synopsis
Includes bibliographical references (p. [399]-429) and index.
Synopsis
An ethnographic study of the development of racist paganism in the United States during the 1990s, examining the economic, cultural, and political developments racist paganism reacts to or makes use of.
About the Author
Mattias Gardell is Associate Professor in the History of Religions at Stockholm University. He is the author of In the Name of Elijah Muhammad: Louis Farrakhan and The Nation of Islam, published by Duke University Press.
Table of Contents
The transforming landscapes of American racism -- The smorgasbord of the revolutionary white-racist counterculture -- The pagan revival -- Wolf-Age pagans : the Odinist call of Aryan revolutionary paganism -- By the spear of Odin : the rise of Wotansvolk -- Ethnic Asatrâu -- Hail Loki! Hail Satan! Hail Hitler! : darkside Asatrâu, Satanism, and occult National Socialism -- Globalization, Aryan paganism, and romantic men with guns.