Synopses & Reviews
Synopsis
Introduction The Haunted Hotel and the Ghostly Feminine Gothic Fragments: Wordless Narration in The Woman in White Phantasmagorical Narration in Bleak House Shadowing the Dead: First Person Narration in Our Mutual Friend Shopping for an 'I': The Ladies' Paradise and the Spectacle of Identity She's Not There: Vertigo and the Ghostly Feminine Grave Narrations: Dickens and the Novel Conclusion
Synopsis
Looking at the gothic in Victorian fiction, the development of cinema and Hitchcock's Vertigo, this book explores the contained or repressed desires of both characters and plots which defy direct representation, resulting in obsession, fetishism and displacement engendering a novel account of the way in which the gothic becomes internalized.