Synopses & Reviews
Chapter One
Part One
The Messenger
Homer opened the door.
"Come on in, Randolph."
Jaffe hated the way he said "Randolph," with the faintest trace of contempt in the word, as though he knew every damn crime Jaffe had ever committed, right from the first, the littlest.
"What are you waiting for?" Homer said, seeing Jaffe linger. "You've got work to do. The sooner it's started, the sooner I can find you more."
Randolph stepped into the room. It was large, painted the same bilious yellow and battleship gray as every other office and corridor in the Omaha Central Post Office. Not that much of the walls was visible. Piled higher than head-height on every side was mail. Sacks, satchels, boxes and carts of it, spilling out onto the cold concrete floor.
"Dead letters," Homer said. "Stuff even the good ol' U.S. Post Office can't deliver. Quite a sight, huh?"
Jaffe was agog, but he made sure not to show it. He made sure to show nothing, especially to wise guys like Homer.
"This is all yours, Randolph," his superior said. "Your little corner of heaven."
"What am I supposed to do with it?" Jaffe said.
"Sort it. Open it, look for any important stuff so we don't end up putting good money in the furnace."
"There's money in them?"
"Some of 'em," Homer said with a smirk. "Maybe. But most of it's just junk-mail. Stuff people don't want and just put back in the system. Some of it's had the wrong address put on and it's been flying backwards and forwards till it ends up in Nebraska. Don't ask me why, but whenever they don't know what to do with this shit they send it to Omaha."
"It's the middle of the country," Jaffe observed. "Gateway to the West. Or East. Depending onwhich way you're facing."
"Ain't the dead center," Homer countered. "But we still end up with all the crap. And it's all got to get sorted. By hand. "By you.""
"All of it?" Jaffe said. What was in front of him was two weeks', three weeks', four weeks' work.
"All of it," said Homer, and didn't make any attempt to conceal his satisfaction. "All yours. You'll soon get the hang of it. If the envelope's got some kind of government marking, put it in the burn pile. Don't even bother to open it. Fuck 'em, right? But the rest, open. You never know what we're going to find." He grinned conspiratorially. "And what we find, we "share,"" he said.
Jaffe had been working for the U.S. Post Office only nine days, but that was long enough, easily long enough, to know that a lot of mail was intercepted by its hired deliverers. Packets were razored open and their contents filched, checks were cashed, love-letters were laughed over.
"I'm going to be coming back in here on a regular basis," Homer warned. "So don't you try hiding anything from me. I got a nose for stuff. I know when there's bills in an envelope, and I know when there's a thief on the team. Hear me? I got a sixth sense. So don't you try anything clever, bud, 'cause me and the boys don't take kindly to that. And you want to be one of the team, don't you?" He put a wide, heavy hand on Jaffe's shoulder. "Share and share alike, right?"
"I hear," Jaffe said.
"Good," Homer replied. "So--" He opened his arms to the spectacle of piled sacks. "It's all yours." He sniffed, grinned and took his leave.
One of the team, Jaffe thought as the door clicked closed, was what he'd never be. Not that he was about to tell Homer that. He'd let theman patronize him; play the willing slave. But in his heart? In his heart, he had other plans, other ambitions. Problem was, he wasn't any closer to realizing those ambitions than he'd been at twenty. Now he was thirty-seven, going on thirty-eight. Not the kind of man women looked at more than once. Not the kind of character folks found exactly charismatic. Losing his hair the way his father had. Bald at forty, most likely. Bald, and wifeless, and not more than beer-change in his pocket because he'd never been able to hold down a job for more than a year, eighteen months at the outside, so he'd never risen higher than private in the ranks.
He tried not to think about it too hard, because when he did he began to get really itchy to do some harm, and a lot of the time it was harm done to himself. It would be so easy. A gun in the mouth, tickling the back of his throat. Over and done with. No note. No explanation. What would he write anyway? "I'm killing myself because I didn't get to be King of the World?" Ridiculous.
But . . . that was what he wanted to be. He'd never known how, he'd never even had a sniff of the way, but that was the ambition that had nagged him from the first. Other men rose from nothing, didn't they? Messiahs, presidents, movie stars. They pulled themselves up out of the mud the way the fishes had when they'd decided to go for a walk. Grown legs, breathed air, become more than what they'd been. If fucking fishes could do it, why couldn't he? But it had to be soon. Before he was forty. Before he was bald. Before he was dead, and gone, and no one to even remember him, except maybe as a nameless asshole who'd spent three weeks in the winter of 1969 in a room full ofdead letters, opening orphaned mail looking for dollar bills. Some epitaph. He sat down and looked at the task heaped before him.
"Fuck you," he said. Meaning Homer. Meaning the sheer volume of crap in front of him. But most of all, meaning himself.
Review
"A powerful and fascinating writer with a brilliant imagination." -- J.G. Ballard, author of Crash and Empire of the Sun
Review
"A cross between Gravity's Rainbow and J.R.R. Tolkein's Lord of the Rings, allusive and mythic, complex and entertaining. Extravagantly metaphorical, wildly symbolic." -- The New York Times
Review
"Rich and absorbing... vivid... incisive and elegant." -- Time magazine
Synopsis
NEW YORK TIMES BESTSELLER
From master storyteller Clive Barker, comes this intricately woven and meticulously constructed epic where past and future meet.
In the little town of Palomo Grove, two great armies are amassing; forces shaped from the hearts and souls of America. In this New York Times bestseller, Barker unveils one of the most ambitious imaginative landscapes in modern fiction, creating a new vocabulary for the age-old battle between good and evil. Carrying its readers from the first stirring of consciousness to a vision of the end of the world, The Great and Secret Show is a breathtaking journey in the company of a master storyteller.
Synopsis
"Clive Barker's career has been building up to The Great and Secret Show. . . . A cross between Gravity's Rainbow and J.R.R. Tolkein's Lord of the Rings, allusive and mythic, complex and entertaining. Extravagantly metaphorical, wildly symbolic." -- New York Times
In the little town of Palomo Grove, two great armies are amassing; forces shaped from the hearts and souls of America. In this New York Times bestseller, master storyteller Clive Barker unveils one of the most ambitious imaginative landscapes in modern fiction and an intricately woven and meticulously constructed epic where past and future meet.
The Art, the greatest power known to humankind, is the focus of struggle between the evil spirit, Jaff, and a force for light, Fletcher. Jaffe hopes to tap into The Art's power while Fletcher wants to prevent it from being tainted. The conflict between the two men spills into the real world in a decades-long feud, distorting reality and affecting the entire human race.
Carrying its readers from the first stirring of consciousness to a vision of the end of the world, The Great and Secret Show is a breathtaking journey in the company of a master storyteller.
Synopsis
In the little town of Palomo Grove, two great armies are amassing; forces shaped from the hearts and souls of America. In this New York Times bestseller, Barker unveils one of the most ambitious imaginative landscapes in modern fiction, creating a new vocabulary for the age-old battle between good and evil. Carrying its readers from the first stirring of consciousness to a vision of the end of the world, The Great and Secret Show is a breathtaking journey in the company of a master storyteller.
Synopsis
In the little town of Palomo Grove, two great armies are amassing; forces shaped from the hearts and souls of America. In this New York Times bestseller, Barker unveils one of the most ambitious imaginative landscapes in modern fiction, creating a new vocabulary for the age-old battle between good and evil. Carrying its readers from the familiar to the fantastic, from the first stirring of consciousness to a vision of the end of the world, The Great and Secret Show is a breathtaking journey in the company of a master storyteller.
About the Author
Clive Barker is the bestselling author of twenty-two books, including the
New York Times bestsellers
Abarat;
Abarat: Days of Magic, Nights of War; and
The Thief of Always. He is also an acclaimed painter, film producer, and director. For twelve years Mr. Barker has been working on a vast array of paintings to illuminate the text of
The Books of Abarat, more than one hundred and twenty-five of which can be found within this volume.
Mr. Barker lives in California. He shares his house with seven dogs, three cockatiels, several undomesticated geckoes, an African gray parrot called Smokey, and a yellow-headed Amazon parrot called Malingo.