Synopses & Reviews
Magdalena, the clever and headstrong daughter of Bavarian hangman Jakob Kuisl, lives with her father outside the village walls and is destined to be married off to another hangmans son—except that the town physicians son is hopelessly in love with her. And her fathers wisdom and empathy are as unusual as his despised profession. It is 1659, the Thirty Years War has finally ended, and there hasnt been a witchcraft mania in decades. But now, a drowning and gruesomely injured boy, tattooed with the mark of a witch, is pulled from a river and the villagers suspect the local midwife, Martha Stechlin.
Jakob Kuisl is charged with extracting a confession from her and torturing her until he gets one. Convinced she is innocent, he, Magdalena, and her would-be suitor to race against the clock to find the true killer. Approaching Walpurgisnacht, when witches are believed to dance in the forest and mate with the devil, another tattooed orphan is found dead and the town becomes frenzied. More than one person has spotted what looks like the devil—a man with a hand made only of bones. The hangman, his daughter, and the doctors son face a terrifying and very real enemy.
Taking us back in history to a place where autopsies were blasphemous, coffee was an exotic drink, dried toads were the recommended remedy for the plague, and the devil was as real as anything, The Hangmans Daughter brings to cinematic life the sights, sounds, and smells of seventeenth-century Bavaria, telling the engrossing story of a compassionate hangman who will live on in readers imaginations long after theyve put down the novel.
Review
"Readers who like a plot-driven story with identifiable heroes and villains will be drawn to this ambitious novel. And unlike some stories in the genre,
The Hangmans Daughter only gets better as the climax approaches — an exciting duel between the hangman and his nemesis. It truly delivers the thing so many of us look for in our novels: entertainment." —
BookPage "This work seamlessly merges brutality and compassion, and its elegant plot, appealing characters and satisfying conclusion will keep the reader wide awake and turning pages well into the night." — Shelf Awareness for Readers
"The translator has done very well by the author; both setting and characters are vividly drawn, making for a compelling read . . . Based on the author's research into his own family history, this novel offers a rare glimpse into a less commonly seen historical setting. If you liked Umberto Eco's The Name of the Rose, give this a try." —Library Journal Xpress
"[Pötzsch's] novel reads quite vividly . . . Based on the authors family history, this excellent story brings 17th-century Bavaria alive with all its fears, superstitions and politics. Jacob Kuisl is not your ordinary hangman, and readers will root for him and his search for the truth. Theres enough 'unreality' in the evil of superstitions that this novel may appeal to fantasy readers, and the twists and turns of the plot will appeal to mystery fans."—School Library Journal
"A brilliantly-researched and exciting story of a formative era of history when witches were hunted and the inquisitors had little belief in their methods beyond their effect in pacifying superstitious townspeople . . . Pötzsch, actually descended from a line of hangmen, delivers a fantastically fast-paced read, rife with details on the social and power structures in the town as well as dichotomy between university medicine and the traditional remedies, which are skillfully communicated through character interactions, particularly that of Magdalena and Simon. The shocking motivations from unlikely players provide for a twist that will leave readers admiring this complex tale from a talented new voice." —Publishers Weekly "This novel has been popular in Germany since its 2008 publication there, and its easy to see why . . . [Pötzsch] does an excellent job of telling the story and supplying the historical backdrop. And his characters . . . are extremely well drawn and believable. Kudos, too, to translator Chadeayne, who retains the storys German flavor while rendering the text in smooth and highly readable English. Readers of historical fiction should find this very much to their liking." —Booklist "I loved every page, character and plot twist of The Hangmans Daughter, an inventive historical novel about a 17th-century hangmans quest to save a witch—from himself." —Scott Turow
Review
“A scenic intrigue filled with wastrels and gaols.” —Vogues “Buzziest Beach Reads” "Alive and immediate. The story crackles with anxiety as Tom finally finds purpose for his idle hands, the true meaning of honor and the identity of the real devil in the Marshalsea." —Chicago Tribune "Historical fiction just doesnt get any better than this. A riveting, fast-paced story…Magnificent!" —Jeffery Deaver, author of the bestselling The Kill Room and Edge "Antonia Hodgsons London of 1727 offers that rare achievement in historical fiction: a time and place suspensefully different from our own, yet real. The Devil in the Marshalsea reminds us at every turn that we ourselves may not have evolved far from its world of debtors and creditors, crime and generosity, appetite and pathos. A damnd good read." —Elizabeth Kostova, author of The Historian and The Swan Thieves "A wonderfully convincing picture of the seamier side of 18th-century life. The narrative whips along. Antonia Hodgson has a real feel for how people thought and spoke at the time—and, God knows, thats a rare talent." —Andrew Taylor, author of An Unpardonable Crime and The Four Last Things "It is the mesh of lies and duplicity that draws you into this brilliant first novel." —The Times (UK) "There are enough plot twists to fill an upturned three-corner hat and a cast of memorable and believable inmates, good and bad. This is a riveting historical thriller that's finely crafted and difficult to put down." —Daily Mail (UK) "Something new in the world of historical crim fiction, with mesmerising detail and atmosphere." —Financial Times (UK) "Splendid...Impeccably researched and astonishingly atmospheric, with time past evoked so strongly that one can almost smell it, this is a truly spellbinding tale." —The Guardian (UK) "Superbly written, historically accurate, always convincing and often quite chilling...A book to savour." —Crime Review (UK) "The plot develops almost as many intricate turns as there are passages in the Marshalsea…Hodgsons plotting is clever…the local color hair-raising." -Kirkus Reviews "[Hodgson] conjures up scenes of Dickensian squalor and marries them to a crackerjack plot, in her impressive first novel...Hodgson makes the stench, as well as the despair, almost palpable, besides expertly dropping fair clues. Fans of Iain Pears and Charles Palliser will hope for a sequel." --Publishers Weekly (STARRED REVIEW) "Satisfyingly twisty debut thriller...so well detailed that one can almost smell the corruption, and the irrepressibly roguish Tom makes a winning hero." —Booklist
Synopsis
Set in the mid-1600s in the Bavarian town of Schongau, a hangman, Jakob Kuisl, is asked to find out whether an ominous tattoo found on a dying boy means that witchcraft has come to town.
Synopsis
Taking us back in history to a place where autopsies were blasphemous, coffee was an exotic drink, dried toads were the recommended remedy for the plague, and the devil was as real as anything, New York Times bestselling author Oliver P tzsch's The Hangman's Daughter is the rollicking start to an exciting series of historical mysteries, bringing to cinematic life the sights, sounds, and smells of seventeenth-century Bavaria, telling the engrossing story of a compassionate hangman who will live on in readers' imaginations long after they've put down the novel.Magdalena, the clever and headstrong daughter of Bavarian hangman Jakob Kuisl, lives with her father outside the village walls and is destined to be married off to another hangman's son -- except that the town physician's son is hopelessly in love with her. And her father's wisdom and empathy are as unusual as his despised profession. It is 1659, the Thirty Years' War has finally ended, and there hasn't been a witchcraft mania in decades. But now, a drowning and gruesomely injured boy, tattooed with the mark of a witch, is pulled from a river and the villagers suspect the local midwife, Martha Stechlin. Jakob is charged with extracting a confession from her and torturing her until he gets one. Convinced she is innocent, Jakob, Magdalena, and her would-be suitor race against the clock to find the true killer. Approaching Walpurgisnacht, when witches are believed to dance in the forest and mate with the devil, another tattooed orphan is found dead and the town becomes frenzied. More than one person has spotted what looks like the devil -- a man with a hand made only of bones. The hangman, his daughter, and the doctor's son face a terrifying and very real enemy.
Synopsis
Simon turned the boy on his belly. With a vigorous tug he ripped open the shirt on the back as well. A groan went through the crowd.
Beneath one shoulder blade there was a palm-size sign of a kind that Simon had never seen before—a washed-out purple circle with a cross protruding from the bottom: ♀
For a moment, there was total silence on the pier. Then the first screams rose. “Witchcraft! Theres witchcraft involved!” Somebody bawled: “The witches have come back to Schongau! Theyre getting our kids!”
Synopsis
Thrilling new historical fiction starring a scoundrel with a heart of gold and set in the darkest debtors prison in Georgian London, where people fall dead as quickly as they fall in love and no one is as they seem.
Synopsis
"Antonia Hodgson’s London of 1727 offers that rare achievement in historical fiction: a time and place suspensefully different from our own, yet real . . . A damn’d good read." —Elizabeth Kostova, author of The Historian London, 1727. Tom Hawkins refuses to follow in his father’s footsteps and become a country parson. His preference is for wine, women, and cards. But there’s honor there too, and Tom won’t pull family strings to get himself out of debt—not even when faced with London’s notorious debtors’ prison.
The Marshalsea Gaol is a world of its own, with simple rules: Those with family or friends who can lend them a little money may survive in relative comfort. Those with none will starve in squalor and disease. And those who try to escape will suffer a gruesome fate at the hands of its ruthless governor and his cronies. The trouble is, Tom has never been good at following rules, even simple ones. And the recent grisly murder of a debtor, Captain Roberts, has brought further terror to the gaol. While the captain's beautiful widow cries for justice, the finger of suspicion points only one way: do the sly, enigmatic figure of Samuel Fleet.
Some call Fleet a devil, a man to avoid at all costs. But Tom Hawkins is sharing his cell. Soon Tom’s choice is clear: get to the truth of the murder—or be the next to die.
A dazzling evocation of a startlingly modern era, The Devil in the Marshalsea is a thrilling debut novel full of intrigue and suspense.
Synopsis
From an award-winning and internationally acclaimed European writer, a chilling and suspenseful story set in the wake of a violent revolution, about a young girl rescued from an orphanage by an otherworldly grandmother she’s never met
Synopsis
From an award-winning European writer, a Gothic page-turner with all the menace and promise of a fairy tale In the aftermath of a revolution that has plunged her country into chaos, thirteen-year-old Emma’s small corner of the world is shattered after her dissident parents' death in a car crash. Before she can make sense of her new circumstances, an older woman arrives to claim her, alleging to be her grandmother. When the two travel to what will be her new home in a distant town, Emma is mystified by her guardian, a woman who can read fortunes in coffee dregs, inflict and heal pain at will, and even control the minds of her enemies; she also shares her home with the ghost of her dead husband. But Emma soon learns that there are other reasons her grandmother is treated as an outcast by her neighbors. Like a witch’s apprentice, Emma learns to accept the logic of her grandmother's secluded life, and as she uncovers the older woman's story—from the traumas of the Second World War to the Holocaust and the reeducation camps of the communist system—Emma comes to see that sometimes a reality shaped by magic is the only means of finding freedom in the face of terror, manipulation, and fear. In The Bone Fire, Hungary's literary star introduces an indelible young heroine, weaving together old-world mysticism and contemporary politics to uncover the soul of a war-scarred land and its people.
Synopsis
"An imaginative retelling of the fascinating life of the twelfth-century nun Hildegard von Bingen . . . Sharratts gripping story, like Ann Patchetts Bel Canto, is primarily about relationships forged under pressure." —Publishers Weekly
Synopsis
“Sharratt brings one of the most famous and enigmatic women of the Middle Ages to vibrant life in this tour de force, which will captivate the reader from the very first page.” —Sharon Kay Penman
“One could not anticipate this majesty and drama . . . Illuminations is riveting, following von Bingen through . . . to emerge as one of the significant voices of the 12th century . . . Unforgettable.” —January Magazine
One of the most extraordinary women of the Middle Ages, Hildegard von Bingen—Benedictine abbess, healer, composer, saint—experienced mystic visions from a very young age. Offered by her noble family to the Church at the age of eight, she lived for years in forced silence. But through the study of books and herbs, through music and the kinship of her sisters, Hildegard found her way from a life of submission to a calling that celebrated the divine glories all around us. In this brilliantly researched and insightful novel, Mary Sharratt offers a deeply moving portrait of a woman willing to risk everything for what she believed, a triumphant exploration of the life she might well have lived.
“Gripping . . . Like Ann Patchetts Bel Canto, [Illuminations] is primarily about relationships forged under pressure.” —Publishers Weekly
“Masterful.”—Saint Paul Pioneer Press
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About the Author
OLIVER PÖTZSCH, born in 1970, has worked for years as a scriptwriter for Bavarian television. He is a descendant of one of Bavaria’s leading dynasties of executioners. Pötzsch lives in Munich with his family.
Lee Chadeayne is a former classical musician and college professor. He was one of the charter members of the American Literary Translators Association and is editor-in-chief of ALTA News.
Lee Chadeayne is a former classical musician and college professor. He was one of the charter members of the American Literary Translators Association and is editor-in-chief of ALTA News.