Synopses & Reviews
In 1878, the Photographic Times claimed that ten minutes provided sufficient exposure for photographing a landscape. Six years earlier, an English immigrant to the West Coast named Eadweard Muybridge, going by the commercial name of Helios, had already pushed photography far in the opposite direction: not to soak up time into pictures, but to divide time with the quickest exposures then imaginable. In 1872, the tycoon Leland Stanford had commissioned Muybridge to photograph his horse, Occident, to determine whether it ever lifted all four hooves off the ground at once. In proving that this was indeed the case, Muybridge achieved a five-hundredth-of-a-second exposure, and so began an anatomy of motion-in humans, horses, birds-that exploded the possibilities of photography and ultimately led to the development of the motion picture. Helios: Eadweard Muybridge in a Time of Change offers an opportunity to trace the life and art of the great photographer. In the wake of a wave of recent scholarship and renewed interest, it pitches his entire body of work against the backdrop of one of the most transformative periods of American and European history. Published to accompany a retrospective exhibition organized by the Corcoran Gallery of Art, Helios features essays by Philip Brookman, Marta Braun, Corey Keller and Rebecca Solnit that provide a variety of new approaches to Muybridge's art and influences.Born in England, Eadweard J. Muybridge (1830-1904) moved to the United States in his early twenties, working as a bookseller for nearly ten years, until, after a stagecoach accident, he learned photography while convalescing in England. Returning to San Francisco in 1867, operating under the name of Helios, he commenced the work that was to secure his fame.
Synopsis
Text by Philip Brookman, Marta Braun, Cory Keller, Rebecca Solnit.
Synopsis
Helios: Eadweard Muybridge in a Time of Change offers a unique opportunity to trace the life and complex art of the 19th century photographer. This book places his entire body of work - both artistic and technical - in the context of one of the most transformative periods of American and European history. Published to accompany a retrospective exhibition organized bythe Corcoran Gallery of Art, this catalogue includes essays by Philip Brookman, Marta Braun, Corey Keller, and Rebecca Solnit that investigate a variety of new ways to understand and interpret Muybridge's art and influences. Born in England, Eadweard J. Muybridge (1830-1904) moved in his early twenties to the United States, where he was soon drawn to the dramatic Western landscape. After a stagecoach accident, during a long convalescence in England, he learned photography. Returning to San Francisco in 1867, he soon earned his reputation photographing both the landscape and urban development of the West. Muybridge is best known for this inventive work and his massive atlas of stop-action motion studies, Animal Locomotion, first published in 1887.