Synopses & Reviews
In
Chicks with Guns, Lindsay McCrum has created a cultural portrait of women gun owners in America through photographs that are both beautiful and in a sense unexpected. The book examines issues of self-image and gender through the visual conventions of portraiture and fashion, but the guns are presented here not as superimposed props but as the very personal lifestyle accessories of the subjects portrayed. And it defies stereotypes often associated with aspects of the popular culture of both guns and women. Like the 15-20 million women gun owners in this country, the women we meet in
Chicks with Guns ( their portraits are accompanied by their own words), reside in all regions of the country, come from all levels of society, and participate seriously in diverse shooting activities. The women here are sportswomen, hunters, and competition shooters. Some use guns on their jobs and some for self-defense. They may not all be classically beautiful, but in these photographs they all look beautiful, exuding honesty, confidence, poise, power and pride. They are real women with real guns that play a part in their lives. By focusing her camera respectfully on this particular aspect of the American scene, gun-wielding women and girls, Lindsay McCrum sheds new light on who we are in America today.and#160;
Praise for Chicks with Guns:
and#8220;Donand#8217;t be deceived by the frisky title: Lindsay McCrumand#8217;s Chicks with Guns is a deadly (sorry) serious work of cultural iconography. Itand#8217;s also visually stunning, alternately sexy, arresting, haunting and mesmerizing. In so many words, this book hits every bulland#8217;s-eyeand#8212;a real stunner.and#8221; and#8212; Christopher Buckley, author of Thank You for Smoking and Losing Mum and Pup: A Memoirand#160;
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and#8220;A work of art in photography, Chicks with Guns is an instant classic. Any who read the text and reflect on the stunning portraits will come away with a new appreciation of the not unusual or surprising love affair between women and their firearms.and#8221; and#8212;R. L. Wilson, firearms expert, author of Silk and Steel: Women at Arms
"Photographer Lindsay McCrum has turned her lens on women who pack heat--and her pictures make for a fascinating book. In Chicks with Gunsand#160;McCrum's subjects express their passion for firearms in their own words, but it's the photographs, which lend a hint of Gainsborough to heiresses and ranch girls alike, that convey how stylish, seductive, and fun the shooting life can be."and#160;- W Magazine
"McCrum's portrait project is full of contradictions and complexity, of ironies and sublime beauty. . . .The pairing of these stories with McCrum's photography makes this book absolutely seductive."--Publishers Weekly "I opened this sizeable hardcover to one of the 80 photographic plates, and started going through the glossy pages, at first only noticing the striking beauty of the full-page photographs and the women who were the subjects. I found myself wondering if they were just models holding guns as props, until I began to read the personal statements on each adjacent page. Written in the womenand#8217;s own words, it seemed to me that their stories read like something from the pages of Field and Stream, and I wanted to know more."--Field andand#160;Stream
"Chicks with Guns, a gorgeous new book by Lindsay McCrum, is a lot more cerebral than it sounds. Fine art photographer McCrum shot dozens of portraits of women with their firearms, accompanied by personal statements from each woman." and#8212;Houston Chronicle
"Lindsay McCrum's handsome new book of photographs, Chicks with Guns, [offers] painterly images that neither glorify nor vilify their subjects." --The New York Times
"McCrum's portraits of female hunters, cops, Olympic biathletes and collectors are unsettling, entertaining and strangely elegant. Perusing the images without reading the personal essays is akin to watching a Merchant Ivory film without the sound." -Los Angeles Times
Synopsis
Richard Avedon's In the American West is widely regarded as a landmark project in photographic history and a definitive expression of the power of photographic art. First published by Abrams in 1985 in conjunction with an exhibition at the Amon Carter Museum in Fort Worth, Texas, the book is being reissued to accompany a 20th-anniversary re-showing of the exhibition at the same museum.
Avedon, who died in 2004, was the greatest American photographer of his generation. For In the American West, he traveled throughout five years, meeting and photographing the plain people of the West: ranch workers, roustabouts, bar girls, drifters, and gamblers. The resulting book includes 120 exquisitely printed black-and-white photographs, an essay by Avedon on his working methods and portrait philosophy, a journal of the project by Laura Wilson, and a new foreword by John Rohrbach. The reissuing of this legendary book, out of print for more than a decade, is a major event in the photography world.
About the Author
Richard Avedon was one of the most influential photographers of the second half of the 20th century, and his portrait work comprises an authoritative record of our era. As a staff photographer for Harper's Bazaar and Vogue, Avedon redefined fashion photography. In 1992 he was named the first staff photographer in the history of The New Yorker.Laura Wilson is a photographer whose previous books are Hutterites of Montana, Watt Matthews of Lambshead, and Avedon at Work. She lives in Dallas. John Rohrbach is senior photography curator at the Amon Carter Museum, Fort Worth.