Synopses & Reviews
In
Civilization and Its Discontents, Sigmund Freud claimed that Rome must be comprehended as "not a human dwelling place but a mental entity," in which the palaces of the Caesars still stand alongside modern apartment buildings in layers of brick, mortar, and memory. "The observer would need merely to shift the focus of his eyes, perhaps, or change his position, in order to call up a view of either the one or the other."
In this one-of-a-kind book, historian Richard Bosworth accepts Freud's challenge, drawing upon his expertise in Italian pasts to explore the many layers of history found within the Eternal City. Often beginning his analysis with sites and monuments that can still be found in contemporary Rome, Bosworth expands his scope to review how political groups of different erasand#8212;the Catholic Church, makers of the Italian nation, Fascists, and "ordinary" Romans (be they citizens, immigrants, or tourists)and#8212;read meaning into the city around them. Weaving in the city's quintessential figures (Garibaldi, Pius XII, Mussolini, and Berlusconi) and architectural icons (the Vatican, St. Peter's Basilica, the Victor Emmanuel Monument, and EUR) with those forgotten or unknown, Bosworth explores the many histories that whisper their rival and competing messages and seek to impose their truth upon the passing crowds. But as this delightful study will reveal, Rome, that magisterial palimpsest, has never accepted a single reading of its historic meaning.
Review
Praise for Bosworthand#8217;s Mussolini:and#8220;Riveting . . . A fascinating, and timely, study of the banality of evil and the dangers of absolute power.and#8221;and#8212;Choice
Review
and#8220;The author's long love affair with Rome and its history makes him a well-suited guide to the city, and his observations . . . are astute.and#8221;and#8212;Publishers Weekly
Review
and#8220;[C]hallening but rewarding.and#8221;and#8212;Choice
Synopsis
In this elegant book Richard Bosworth explores Venicenot the glorious Venice of the Venetian Republic, but from the fall of the Republic in 1797 and the Risorgimento up through the present day. Bosworth looks at the glamour and squalor of the belle epoque and the dark underbelly of modernization, the two world wars, and the far-reaching oppressions of the fascist regime, through to the Disneylandification of Venice and the tourist boom, the worldwide attention of the biennale and film festival, and current threats of subsidence and flooding posed by global warming. He draws out major themesthe increasingly anachronistic but deeply embedded Catholic Church, the two faces of modernization, consumerism versus culture.
Bosworth interrogates not just Venice s history but its meanings, and how the city s past has been co-opted to suit present and sometimes ulterior aims. Venice, he shows, is a city where its histories as well as its waters ripple on the surface."
About the Author
A renowned Anglophone Italianist, Richard Bosworth is Professor of History at Reading University and Winthrop Professor of History at the University of Western Australia. In 2011, he will become a Senior Research Fellow at Jesus College, Oxford. He divides his time between Australia and England.