Synopses & Reviews
Fresh, Fresher is a monograph on the work of British artist Jane Simpson. It is a celebration of her career since 1992 when, while still a student, she first experimented with the use of ice and her now trademark refrigeration technique. Rather than following a strict chronological order the book surveys Simpsonand#8217;s work thematically, punctuated by three critical texts. An introduction by Royal Academy Exhibitions Secretary, Norman Rosenthal, and essays by the Director of Kunsthalle Dand#252;sseldorf, Ulrike Groos, and Mark Godfrey of the Slade School of Art, London, place the artistand#8217;s work in a broader art historical context. By positioning the pieces in abstract perspectives of vivid colour, the bookand#8217;s design accentuates the pastel tones and shades that, as in her rubber casts of kitchen utensils or photographs of Tupperware, Simpson characteristically uses in her work.
Fresh, Fresher takes its title from Simpsonand#8217;s sculpture of a pair of vases with roses in different stages of bloom, a work she based around two paintings by Italian painter Giorgio Morandi. A variation on the classical tradition of still life, this piece (2000) exemplifies the underlying themes invariably present in the artistand#8217;s work to date: the process of appropriation and transformation, and the dialectics of decay and renewal.
About the Author
Born in London in 1965, Jane Simpson studied at the Chelsea School of Art, London and the Royal Academy Schools, London. Following her graduation in 1993, she participated in various international group exhibitions including and#145;Some Went Mad, Some Ran Awayand#8217; curated by Damien Hirst for the Serpentine Gallery, London and the infamous and#145;Sensation: Young British Artistsand#8217; from the Saatchi Collectionand#8217; at the Royal Academy, London. In 1999 she was selected IASPIS Fellow to Gand#246;teborg, Sweden and Artist in Residence by the Shoreditch Town Hall Trust, London. She has had recent solo exhibitions at the Norrtand#228;lje Konsthall, Sweden, Asprey Jasques, London, the Gand#246;teborgs Konstmuseum, One in the Other, London, the Galeria Javier Lopez, Madrid, Gagosian Gallery, London, and the Sandra Gering Gallery, New York. Most recent group shows include Valencia Bienale, 2005; and#145;kissingcousinsand#8217; curated by Jane Simpson and Sarah Staton, 2007, Henry Moore Institute, Leeds; and#145;Weather Report (Art and Climate Change)and#8217;, 2007, Centro Atland#225;ntico de Arte Moderno Canary Islands. Forthcoming shows include and#145;My bloody inheritance and other talesand#8217; at Gering and Lopez, New York.