Synopses & Reviews
Lee Friedlander (b. 1934) is one of the most renowned photographers of his generation.and#160;Through Friedlanderandrsquo;s lens, people in their everyday environments are transformed into arresting portraits, and the banal features of roadsides, storefronts, and city streets become vivid scenery.and#160;In
Dressing Up, Friedlander ventures into new territory, turning his eye to the rarefied world of fashion and revealing precisely what is commonplace about it: behind the glamorous spectacle of the runway are many people hard at work.
The photographs, commissioned by the New York Times Magazine, were taken in 2006 during New York Fashion Week, when the artist spent time backstage at the Marc Jacobs, Donna Karan, Calvin Klein, Zac Posen, Oscar de la Renta, and Proenza Schouler shows. The resulting images, many of which are published here for the first time, depict a flurry of toiling stylists, dressers, makeup artists, photographers, and modelsandmdash;all of them preparing, but not quite prepared, for an image to be taken. Lovers of photography and high-end fashion will be surprised and intrigued by this inside glimpse into the world of runway design.
Review
"Of the selection [of books to mark the 50 years since the assassination of JFK], the most handsome is a small volume from the
archive of Lee Friedlander, JFK: a Photographic Memoir."and#8212;Lucy Davies, The Daily Telegraph
Review
andldquo;Legendary American photographer Lee Friedlander . . . provide[s] an outsiderandrsquo;s look at all of the work that goes on backstage at Fashion Week . . . [a] unique photographic perspective.andrdquo;andmdash;Erica Schwiegershausen, New York Magazine
Synopsis
From jubilation to grief, the public response to the election and assassination of President Kennedy, from master photographer Lee Friedlander The public outpouring of support for newly elected President John F. Kennedy in 1960 was exceeded in scope and magnitude only by the manifestations of grief and mourning after his assassination in 1963. These responses had an unusually strong visual component: likenesses of the president were framed in shop windows, pinned to living room walls, and plastered in public spaces across the nation.
Decades after Kennedy's death, this book observes the public's reaction to the president's election and assassination, featuring many photographs published here for the first time. In his travels throughout America during this period, Lee Friedlander (b. 1934) encountered these responses and photographed what he witnessed. From Washington, D.C., to Buffalo to Minneapolis to Los Angeles, Friedlander has captured a moment in American history that galvanized the nation and continues to resonate.
Distributed for the Yale University Art Gallery
Synopsis
The public outpouring of support for newly elected President John F. Kennedy in 1960 was only exceeded in scope and magnitude by the manifestations of grief and mourning after his assassination in 1963.and#160; These responses had an unusually strong visual component: likenesses of the president were framed in shop windows, pinned to living room walls, and plastered in public spaces across the nation.and#160;
Fifty years after Kennedyand#8217;s death, this book observes the publicand#8217;s reaction to the presidentand#8217;s election and assassination, featuring many photographs published here for the first time. In his travels throughout America during this period, Lee Friedlander (b. 1934) encountered these responses and photographed what he witnessed. From Washington, D.C., to Buffalo to Minneapolis to Los Angeles, Friedlander has captured a moment in American history that galvanized the nation and continues to resonate today.
Synopsis
This photographic collection of candid black-and-white portraits by the renowned photographer Lee Friedlander goes behind the scenes to showcase the many hands at work during New York Fashion Week.
Synopsis
Over 300 photographs, most never before published, offer a picture of Americaandrsquo;s youth through the eyes of one of the most renowned photographers of his generation.
Synopsis
American photographer Lee Friedlander (b. 1934) has had an expansive career, photographing his subjectsandmdash;from family and friends to political figures and celebritiesandmdash;in their everyday environments, while simultaneously changing the very landscape of his chosen media.
Theand#160;Human Clay is a new series of six publications to be released over three years, each of which focuses on images of people and features hundreds of photographs, many never before published, chosen and sequenced by the artist himself from his vast archive.and#160;
In Children, more than 300 photographs are presented in two sections. The first features images of children that the artist has known: being bathed or fed, laughing or crying with family members, posing with pets or mugging for the camera. The second section presents works from Friedlanderandrsquo;s years of photographing people on the street: children in parades, sitting in cars, reflected in storefront windows. Taken together, these images offer a picture of Americaandrsquo;s youth through the eyes of one of the most renowned photographers of his generation.
Synopsis
An acclaimed photographer turns his unique eye on celebrities, presenting astute depictions of prominent figures.
Synopsis
In Children, more than 300 photographs are presented in two sections. The first features images of children that the artist has known: being bathed or fed, laughing or crying with family members, posing with pets or mugging for the camera. The second section presents works from Friedlanderandrsquo;s years of photographing people on the street: children in parades, sitting in cars, reflected in storefront windows. Taken together, these images offer a picture of Americaandrsquo;s youth through the eyes of one of the most renowned photographers of his generation.
About the Author
Lee Friedlander is a photographer based in Rockland County, New York.
Kathy Ryan is director of photography for the
New York Times Magazine.