Synopses & Reviews
And now, starting with the sixth volume in Fantagraphics' acclaimed
Krazy Kat reprint series, finally it's time for...color!
After a brief hiatus in the mid-1930s, the heretofore black-and-white Sunday Krazy Kat returned in full spectacular color in June 1935. And so this volume includes all the Sunday strips from the latter half of 1935 and all of 1936, including one supremely rare instance of a page shot from an original syndicate proof sheet, all reproduced in sparkling, digitally cleaned-up color. The new color format also opens the floodgates for a massive amount of spectacular rare color art from series editor Bill Blackbeard's files, including a surprising color self-portrait by Herriman, several Kat watercolors executed for friends, peers, and relatives, some watercolored non-Krazy Kat material, a reproduction of a vintage archy and mehitabel dust jacket by Herriman plus a period spoof of Krazy Kat by Minute Movies' Ed Wheelan, and several instances of other cartoonists imitating Herriman's unique "Family Upstairs/Krazy Kat" format.
This volume also includes "The Kolor of Krazy Kat," a revelatory essay by journalist and critic Jeet Heer that addresses in-depth the mystery of Herriman's racial origins, and the varying ways in which Herriman dealt with them artistically throughout his career a major addition to Herriman-related scholarship and commentary.
Synopsis
The new color format also opens the floodgates for a massive amount of spectacular rare color art from series editor Bill Blackbeard's files, including a surprising color self-portrait by Herriman, several Kat watercolors executed for friends, peers, and relatives, some watercolored non-Krazy Kat material, a reproduction of a vintage archy and mehitabel dust jacket by Herriman plus a period spoof ofKrazy Kat by Minute Movies' Ed Wheelan, and several instances of other cartoonists imitating Herriman's unique "Family Upstairs / Krazy Kat" format. This volume also includes "The Kolor of Krazy Kat," a revelatory essay by journalist and critic Jeet Heer that addresses in-depth the mystery of Herriman's racial origins, and the varying ways in which Herriman dealt with them artistically throughout his career a major addition to Herriman-related scholarship and commentary. "
Synopsis
by George Herman; designed by Chris Ware; edited by Bill Blackbeard
The heretofore black-and-white Sunday Krazy Kat returned in full spectacular color in June 1935, collected here from then through 1936, with a flood of rare color extras and a revelatory essay by Jeet Heer.
Synopsis
The bestselling series of the greatest comic strip of all goes full-color!
Synopsis
The Sunday Krazy Kat strip turns to full spectacular color, with a flood of rare color extras and a revelatory essay by Jeet Heer.
About the Author
George Herriman (1880-1944), the creator of Krazy Kat, was born in New Orleans and lived most of his life in Los Angeles, California. He is considered by many to be the greatest strip cartoonist of all time.Bill Blackbeard, the founder-director of the San Francisco Cartoon Art Museum, is the world's foremost authority on early 20th Century American comic strips. As a freelance writer, Blackbeard wrote, edited or contributed to more than 200 books on cartoons and comic strips, including The Smithsonian Collection of Newspaper Comics, 100 Years of Comic Strips, and the Krazy & Ignatz series.