Synopses & Reviews
In the first decades of the twentieth century, rural populations throughout Europe changed the language they used in everyday life, abandoning their traditional vernaculars—such as French patois, local Italian dialects, and the Irish language—in favor of major metropolitan languages such as French, Italian, and English. .
In this book, Barry McCrea argues that the sudden linguistic homogenization of the European countryside was a key impulse in the development of literary modernism. The decline of rural vernaculars caused these languages to become the objects of powerful longings and projections. Seán Ó Ríordáin in Ireland and Pier Paolo Pasolini in Italy reshaped minor languages for use as private idioms of poetry; the revivalist idealization of Irish as a lost utopian language deeply affected the work of James Joyce; the disappearing dialects of northern France seemed to Marcel Proust to offer an escape from time itself.
Drawing on a broad range of linguistic and cultural examples to present a major reevaluation of the sources and meanings of European literary modernism, Barry McCrea shows how metropolitan literary culture was fundamentally shaped by the vanishing vernaculars of the European countryside.
Synopsis
This provocative book shows how the mass abandonment of rural vernaculars (such as the Irish language, Italian dialects, and French patois) shaped European literary modernism. Seán Ó Ríordáin in Ireland and Pier Paolo Pasolini in Italy reshaped minor languages as experimental poetic idioms; the decline of the Irish language deeply affected the work of James Joyce; the disappearing dialects of northern France were a source of complex inspiration for Marcel Proust.
Drawing on a broad range of linguistic and cultural examples to present a major reevaluation of the origins and meaning of European literary modernism, Barry McCrea shows how a genuinely comparative analysis can force us to rethink national literary traditions.
About the Author
Barry McCrea is the Keough Family Chair of English, Comparative Literature and Irish Studies at the University of Notre Dame and teaches at the universitys campuses in Indiana, Dublin, and Rome.