Synopses & Reviews
Cover artwork by Diane Gamboa. Credit-Click here
Latinos have become the largest ethnic minority group in the United States. While the presence of Latinos and Latinas in mainstream news and in popular culture in the United States buttresses the much-heralded Latin Explosion, the images themselves are often contradictory.
In Latino/a Popular Culture, Habell-Pallán and Romero have brought together scholars from the humanities and social sciences to analyze representations of Latinidad in a diversity of genres - media, culture, music, film, theatre, art, and sports - that are emerging across the nation in relation to Chicanas, Chicanos, mestizos, Puerto Ricans, Caribbeans, Central Americans and South Americans, and Latinos in Canada.
Contributors include Adrian Burgos, Jr., Luz Calvo, Arlene Dávila, Melissa A. Fitch, Michelle Habell-Pallán, Tanya Katerí Hernández, Josh Kun, Frances Negron-Muntaner, William A. Nericcio, Raquel Z. Rivera, Ana Patricia Rodríguez, Gregory Rodriguez, Mary Romero, Alberto Sandoval-Sánchez, Christopher A. Shinn, Deborah R. Vargas, and Juan Velasco.
Cover artwork "Layering the Decades" by Diane Gamboa, 2002, mixed media on paper, 11 X 8.5". Copyright 2001, Diane Gamboa. Printed with permission.
Review
"With stunning, eloquent, and insightful essays Latina and Latino Popular Culture offers the best guide to the cultural production of the largest group of people of color in the United States. The essays broaden both our knowledge of Latino/a cultural production and challenge the traditional paradigms of cultural and ethnic studies doing so through accessible, historically informed approaches."-Mary Pat Brady,Cornell University
Review
"With stunning, eloquent, and insightful essays Latina and Latino Popular Culture offers the best guide to the cultural production of the largest group of people of color in the United States. The essays broaden both our knowledge of Latino/a cultural production and challenge the traditional paradigms of cultural and ethnic studies doing so through accessible, historically informed approaches." - Mary Pat Brady, Cornell University
Review
"Latino/a Popular Culture greatly contributes to the genres of both cultural studies and Latino studies. The editors exhort undergraduate and graduate students to continue looking at Latino/a popular coluture as "as site of invention, critique and pleasure" (p.16) since much work still needs to be done in this area."-Harvard Educational Review,
Review
"The book provides an insight into the current struggles that Latinos who live in the norhern hemisphere face."-MELUS,
Review
"With stunning, eloquent, and insightful essays Latina and Latino Popular Culture offers the best guide to the cultural production of the largest group of people of color in the United States. The essays broaden both our knowledge of Latino/a cultural production and challenge the traditional paradigms of cultural and ethnic studies doing so through accessible, historically informed approaches."
"Latino/a Popular Culture greatly contributes to the genres of both cultural studies and Latino studies. The editors exhort undergraduate and graduate students to continue looking at Latino/a popular coluture as "as site of invention, critique and pleasure" (p.16) since much work still needs to be done in this area."
"The book provides an insight into the current struggles that Latinos who live in the norhern hemisphere face."
Synopsis
Cover artwork by
Diane Gamboa. Credit-
Click here
Latinos have become the largest ethnic minority group in the United States. While the presence of Latinos and Latinas in mainstream news and in popular culture in the United States buttresses the much-heralded Latin Explosion, the images themselves are often contradictory.
In Latino/a Popular Culture, Habell-Pallan and Romero have brought together scholars from the humanities and social sciences to analyze representations of Latinidad in a diversity of genres - media, culture, music, film, theatre, art, and sports - that are emerging across the nation in relation to Chicanas, Chicanos, mestizos, Puerto Ricans, Caribbeans, Central Americans and South Americans, and Latinos in Canada.
Contributors include Adrian Burgos, Jr., Luz Calvo, Arlene Davila, Melissa A. Fitch, Michelle Habell-Pallan, Tanya Kateri Hernandez, Josh Kun, Frances Negron-Muntaner, William A. Nericcio, Raquel Z. Rivera, Ana Patricia Rodriguez, Gregory Rodriguez, Mary Romero, Alberto Sandoval-Sanchez, Christopher A. Shinn, Deborah R. Vargas, and Juan Velasco.
Cover artwork -Layering the Decades- by Diane Gamboa, 2002, mixed media on paper, 11 X 8.5-. Copyright 2001, Diane Gamboa. Printed with permission.
Synopsis
Scholars from the humanities and social sciences analyze representations of Latinidad in a diversity of genres
Latinos have become the largest ethnic minority group in the United States. While the presence of Latinos and Latinas in mainstream news and in popular culture in the United States buttresses the much-heralded Latin Explosion, the images themselves are often contradictory.
In Latino/a Popular Culture, Habell-Pall n and Romero have brought together scholars from the humanities and social sciences to analyze representations of Latinidad in a diversity of genres--media, culture, music, film, theatre, art, and sports--that are emerging across the nation in relation to Chicanas, Chicanos, mestizos, Puerto Ricans, Caribbeans, Central Americans and South Americans, and Latinos in Canada.
Contributors include Adrian Burgos, Jr., Luz Calvo, Arlene D vila, Melissa A. Fitch, Michelle Habell-Pall n, Tanya Kater Hern ndez, Josh Kun, Frances Negron-Muntaner, William A. Nericcio, Raquel Z. Rivera, Ana Patricia Rodr guez, Gregory Rodriguez, Mary Romero, Alberto Sandoval-S nchez, Christopher A. Shinn, Deborah R. Vargas, and Juan Velasco.
Cover artwork Layering the Decades by Diane Gamboa, 2002, mixed media on paper, 11 X 8.5. Copyright 2001, Diane Gamboa. Printed with permission.
Synopsis
Cover artwork by Diane Gamboa. Credit-Click here
Latinos have become the largest ethnic minority group in the United States. While the presence of Latinos and Latinas in mainstream news and in popular culture in the United States buttresses the much-heralded Latin Explosion, the images themselves are often contradictory.
In Latino/a Popular Culture, Habell-Pallán and Romero have brought together scholars from the humanities and social sciences to analyze representations of Latinidad in a diversity of genres - media, culture, music, film, theatre, art, and sports - that are emerging across the nation in relation to Chicanas, Chicanos, mestizos, Puerto Ricans, Caribbeans, Central Americans and South Americans, and Latinos in Canada.
Contributors include Adrian Burgos, Jr., Luz Calvo, Arlene Dávila, Melissa A. Fitch, Michelle Habell-Pallán, Tanya Katerí Hernández, Josh Kun, Frances Negron-Muntaner, William A. Nericcio, Raquel Z. Rivera, Ana Patricia Rodrguez, Gregory Rodriguez, Mary Romero, Alberto Sandoval-Sánchez, Christopher A. Shinn, Deborah R. Vargas, and Juan Velasco.
Cover artwork "Layering the Decades" by Diane Gamboa, 2002, mixed media on paper, 11 X 8.5". Copyright 2001, Diane Gamboa. Printed with permission.
Synopsis
Rabbi Abraham Isaac Kook (1865-1935) was the first Ashkenazic chief rabbi of mandatory Palestine. Admired for the incredible diversity of his talents and interests--talmudist, halakhist, kabbalist, mystic, theologian, moralist, poet, and communal leader--Rav Kook's world outlook extolled breadth and derided narrow specialization. More than any other Orthodox thinker in modern times, he addressed, squarely and boldly, the confrontation between Judaism and the modern world. Kook serves as a natural model to those Jews who seek a religious understanding of and response to the culture and politics of the modern age.
These essays, most published here for the first time, offer a range of analyses and interpretations covering, in an accessible, systematic, and comprehensive fashion the major areas of Rav Kook's thought. Among the issues discussed are: his relationship to the Jewish mystical, philosophical, and halakhic traditions; poetry and spirituality; harmonism and pluralism; tolerance and its limits; Zionism, messianism, and politics; and Rav Kook today.
About the Author
Michelle Habell-Pallán is an Associate Professor in the Women Studies Department at the University of Washington, Seattle. She is the co-editor with Mary Romero of
Latino/a Popular Culture (NYU Press, 2002).
Mary Romero is Professor of Justice Studies at Arizona University and a Carnegie Scholar with the Carnegie Academy for the Scholarship of Teaching and Learning. Her books include Challenging Fronteras: Structuring Latina and Latino Lives in the U.S..