Synopses & Reviews
Photography is usually written about from the point of view of either the photographer or the viewer.
Living with His Camera offers a perspective rarely representedandmdash;that of the photographed subject. Dick Blau has been making art photographs of the people he lives with for more than thirty years; cultural theorist Jane Gallop has been living with himandmdash;and his cameraandmdash;for twenty years.
Living with His Camera is Gallopandrsquo;s nuanced meditation on photography and the place it has in her private life and in her family. A reflection on family, it attemptsandmdash;like Blauandrsquo;s photographs themselvesandmdash;to portray the realities of family life beyond the pieties of conventional representations. Living with His Camera is about some of the most pressing issues of visuality and some of the most basic issues of daily life. Gallop considers intimate photographs of moments both dramatic and routine: of herself giving birth to son Max or crying in the midst of an argument with Blau, pouring herself cereal as Max colors at the breakfast table, or naked, sweeping the floor. With her trademark candor, humor, and critical acumen, Gallop mixes personal reflection with close readings of Roland Barthesandrsquo;s Camera Lucida, Susan Sontagandrsquo;s On Photography, Kathryn Harrisonandrsquo;s novel Exposure, and Pierre Bourdieuandrsquo;s Photography.
Presenting his photographs and her text, Living with His Camera is a portrait of a couple whose professional activity is part of their private lives and whose private life is viewed through their professional gazes. While most of us set aside rigorous thought when we turn to the sentimental realm of home life, Gallop and Blau look at each other not only with great affection but also with the keen focus of a sharp, critical gaze.
Synopsis
Gallop’s husband, Dick Blau, photographs everyday life at home. What does it mean to always be a potential photographic subject, and what does this teach us about photography and the family?
About the Author
Jane Gallop is Distinguished Professor of English and Comparative Literature at the University of Wisconsin, Milwaukee. She is the author of numerous works including Around 1981: Academic Feminist Literary Theory and Thinking through the Body. Her books Feminist Accused of Sexual Harassment and Anecdotal Theory are published by Duke University Press. Dick Blau is Professor in the Department of Film at the University of Wisconsin, Milwaukee. He has published two books of photography, Polka Happiness and Bright Balkan Morning: Romani Lives and the Power of Music in Greek Macedonia. Blauandrsquo;s photographs of his family have been featured in journals including Frame/Work, Discourse, and Dreamworks.
Jane Gallop is Distinguished Professor of English and Comparative Literature at the University of Wisconsin, Milwaukee. She is the author of numerous works including Around 1981: Academic Feminist Literary Theory and Thinking through the Body. Her books Feminist Accused of Sexual Harassment and Anecdotal Theory are published by Duke University Press. Dick Blau is Professor in the Department of Film at the University of Wisconsin, Milwaukee. He has published two books of photography, Polka Happiness and Bright Balkan Morning: Romani Lives and the Power of Music in Greek Macedonia. Blauandrsquo;s photographs of his family have been featured in journals including Frame/Work, Discourse, and Dreamworks.
Table of Contents
Observations of a photographed mother -- The unhappy woman and the empty chair -- The photographer's desire -- Art in the family.