Synopses & Reviews
View the
Table of Contents. Read the
Prologue.
"Why are beheadings so captivating in society and literature? Losing Our Heads: Beheadings In Literature And Culture tackles a gruesome topic, providing a healthy dose of anthropological, medical, social and literary insight to accounts of beheadings from antiquity to modern times."
Bookwatch
"To read Losing Our Heads is to experience that same frisson Regina Janes ascribes to the guillotinea powerful and seductive and (excuse me) heady combination of gossip and scholarship."
Kathryn Davis, author of Versailles
What is the fascination that decollation holds for us, as individuals and as a culture? Why does the idea make us laugh and the act make us close our eyes? Losing Our Heads explores in both artistic and cultural contexts the role of the chopped-off head. It asks why the practice of decapitation was once so widespread, why it has diminishedbut not, as scenes from contemporary Iraq show, completely disappearedand why we find it so peculiarly repulsive that we use it as a principal marker to separate ourselves from a more "barbaric" or "primitive" past?
Although the topic is grim, Regina Janes's treatment and conclusions are neither grisly nor gruesome, but continuously instructive about the ironies of humanity's cultural nature. Bringing to bear an array of evidence, the book argues that the human ability to create meaning from the body motivates the practice of decapitation, its diminution, the impossibility of its extirpation, and its continuing fascination. Ranging from antiquity to the late nineteenth-century passion for Salomé and John the Baptist, and from the enlightenment to postcolonial Africa's challenge to the severed head as sign of barbarism, Losing Our Heads opens new areas of investigation, enabling readers to understand the shock of decapitation and to see the value in moving past shock to analysis. Written with penetrating wit and featuring striking illustrations, it is sure to captivate anyone interested in his or her head.
Review
“Why are beheadings so captivating in society and literature? Losing Our Heads: Beheadings In Literature And Culture tackles a gruesome topic, providing a healthy dose of anthropological, medical, social and literary insight to accounts of beheadings from antiquity to modern times.”:
-Bookwatch,
Review
“To read Losing Our Heads is to experience that same frisson Regina Janes ascribes to the guillotine—a powerful and seductive and (excuse me) heady combination of gossip and scholarship.”:
-Kathryn Davis,author of Versailles
Review
"This book seems destined to become a eulogy for the important contributions that Martin Levine made to the sociological study of sexuality, gender, and AIDS." -Men and Masculinities,
Synopsis
What is the fascination that decollation holds for us, as individuals and as a culture? Why does the idea make us laugh and the act make us close our eyes?
Losing Our Heads explores in both artistic and cultural contexts the role of the chopped-off head. It asks why the practice of decapitation was once so widespread, why it has diminished—but not, as scenes from contemporary Iraq show, completely disappeared—and why we find it so peculiarly repulsive that we use it as a principal marker to separate ourselves from a more “barbaric”or “primitive” past?
Although the topic is grim, Regina Janess treatment and conclusions are neither grisly nor gruesome, but continuously instructive about the ironies of humanity's cultural nature. Bringing to bear an array of evidence, the book argues that the human ability to create meaning from the body motivates the practice of decapitation, its diminution, the impossibility of its extirpation, and its continuing fascination. Ranging from antiquity to the late nineteenth-century passion for Salomé and John the Baptist, and from the enlightenment to postcolonial Africas challenge to the severed head as sign of barbarism, Losing Our Heads opens new areas of investigation, enabling readers to understand the shock of decapitation and to see the value in moving past shock to analysis. Written with penetrating wit and featuring striking illustrations, it is sure to captivate anyone interested in his or her head.
Synopsis
Before gay liberation, gay men were usually perceived as failed men--"inverts," men trapped in women's bodies. The 1970s saw a radical shift in gay male culture, as a male homosexuality emerged that embraced a more traditional masculine ethos. The gay clone, a muscle-bound, sexually free, hard-living Marlboro man, appeared in the gay enclaves of major cities, changing forever the face of gay male culture.
Gay Macho presents the ethnography of this homosexual clone. Martin P. Levine, a pioneer of the sociological study of homosexuality, was among the first social scientists to map the emergence of a gay community and this new style of gay masculinity. Levine was a participant in as well as an observer of gay culture in the 1970s, and this perspective allowed him to capture the true flavor of what it was like to be a gay man before AIDS. Levine's clone was a gender conformist, whose masculinity was demonstrated in patterns of social interaction and especially in his sexuality. According to Levine, his life centered around the "four D's: disco, drugs, dish, and dick."
Later chapters, based on Levine's pathbreaking empirical research, explore some of the epidemiological and social consequences of the AIDS epidemic on this particular substratum of the gay community. Although Levine explicitly refuses to pathologize gay men afflicted with HIV, his work develops a scathing, feminist-inspired critique of masculinity, whether practiced by gay or straight men.
About the Author
Martin P. Levine (1950-1993) received his Ph.D. in sociology from New York University.
Michael S. Kimmel is Professor of Sociology at SUNY, Stony Brook and author of Manhood in America.