Synopses & Reviews
Synopsis
Lou Harrison, who celebrated his 80th birthday in 1997, has often been cited as one of the America's most original and influential composers. In addition to his prolific musical output, Harrison is also a skilled painter, calligrapher, essayist, critic, poet, and instrument-builder. During his long and varied career, he has explored dance, Asian music, tuning systems, and universal languages, and has actively championed political causes ranging from pacifism to gay rights. As an articulate and outspoken observer of the contemporary musical scene, he is frequently quoted in the media; yet until now no comprehensive study of his life and works has been published.
The present book, supported by extensive archival research and nearly 70 interviews, examines the ideas that have shaped Harrison's creative output, as seen through the eyes of the composer and his associates. A detailed biographical section is followed by individual chapters focusing on Music and Dance, Intonation and Tuning, Instruments, Asian influences, Gamelan, Music and Politics, Music Criticism, and Compositional Processes. In a separate chapter, the authors describe the historical background of the San Francisco gay community, Harrison's literary and musical statements on gay rights, and possible "gay markers" on his musical style.
Synopsis
Music's inclusivity--its potential to unite cultures, disciplines, and individuals--defined the life and career of Lou Harrison (1917-2003). Beyond studying with avant-garde titans such as Henry Cowell and Arnold Schoenberg, he conducted Charles Ives's Pulitzer Prize-winning Third Symphony, staged high-profile percussion concerts with John Cage, and achieved fame for his distinctive blending of cultures--from the Chinese opera, Indonesian gamelan, and the music of Native Americans to modernist dissonant counterpoint.
Leta E. Miller and Fredric Lieberman take readers into Harrison's rich world of cross-fertilization through an exploration of his outspoken stance on pacifism, gay rights, ecology, and respect for minorities--all major influences on his musical works. Though Harrison was sometimes accused by contemporaries of "cultural appropriation," Miller and Lieberman make it clear why musicians and scholars alike now laud him as an imaginative pioneer for his integration of Asian and Western musics. They also delve into Harrison's work in the development of the percussion ensemble, his use of found and invented instruments, and his explorations of alternative tuning systems. An accompanying compact disc of representative recordings allows readers to examine Harrison's compositions in further detail.