Synopses & Reviews
An excellent and exhaustive expansion of Coleman's 20-page chapter in Volume 3 of the valuable
Handbook of American Popular Culture. . . . Contents include a preface, introduction, chapters on history of magic, principles and appreciation, manuals on performance, relation to the other `arts,' biographies, and appendixes of historical dates, periodicals, directories, research collections, and dealers. Chapters contain very thorough bibliographies and there are author and subject indexes. It is impossible to imagine a more thorough guide to magic.
Choice The work as a whole is an extremely valuable compilation of, and commentary on, nearly 1,000 titles dealing with magic, conjuring, and tricks that fool the eye. . . . [It is] a superb addition to any library's collection of books on the history, psychology, and techniques of magic. Reference Books Bulletin
This reference guide provides a comprehensive view of magic, focusing on its history, psychology, techniques, and aesthetics. The text is in the form of topical bibliographical essays with additional theoretical remarks expressing Coleman's personal philosophy of conjuring. The work begins with a description of outstanding histories of magic and goes on to elucidate some of the major bibliographic sources on the principles of psychology and showmanship which separate the master conjurer from the amateur. Subsequent chapters evaluate manuals on the execution of magic, including all categories from card magic to stage illusions and telepathy.
Synopsis
"[This] is a superb addition to any library's collection of books on the history, psychology, and techniques of magic." Reference Books Bulletin
Synopsis
This reference guide provides a comprehensive view of magic, focusing on its history, psychology, techniques, and aesthetics. The text is in the form of topical bibliographical essays with additional theoretical remarks expressing Coleman's personal philosophy of conjuring. The work begins with a description of outstanding histories of magic and goes on to elucidate some of the major bibliographic sources on the principles of psychology and showmanship which separate the master conjurer from the amateur. Subsequent chapters evaluate manuals on the execution of magic, including all categories from card magic to stage illusions and telepathy.
About the Author
EARLE J. COLEMAN is Associate Professor of Philosophy and Religion at Virginia Commonweath University.
Table of Contents
Preface
Introduction
Histories of Magic
Appreciation: On the Principles of Psychology and Showmanship that Underlie the Performance of Magic
The Creation of Illusion: Manuals in the Execution of Magic
Magic in Relation to Other Arts
Biographies and Autobiographies
Appendixes: Selected Dates in the History of Conjuring; Magic Periodicals; Directories; Research Collections; Dealers
Author Index
Subject Index