Synopses & Reviews
This authoritative, accessible survey is the first since 1927 devoted entirely to ivories of the Middle Ages. Color photographs display the V&As significant collection, which is especially strong in Carolingian, Anglo-Saxon, and English Romanesque examples. Following an essay on the V&As collecting and study of these masterpieces, the book features major works from every era of the period: the Symmachi Panel from late antiquity; the front cover of the Lorsch Gospels from the Carolingian era; the Ottonian Basilewsky Situla; the Veroli Casket from 10th-century Byzantium; the St Nicholas Crozier; the enigmatic whalebone carving of the Adoration of the Magi from the Romanesque 12th century; and numerous others. Each entry provides a full physical and scholarly discussion, synthesizing the existing literature and incorporating new research.
Synopsis
The Thomson Collection contains examples of the highest quality of most types of medieval ivory carving, both secular and religious. These include large statuettes of the Virgin and Child intended to stand on altars in chapels, small versions for private use in the home, and folding tablets or diptychs with scenes from the life of Christ carved in relief.
About the Author
Paul Williamson is keeper of sculpture, metalwork, ceramics, and glass at the V&A. He has written and lectured extensively on medieval ivory carvings. His many books include Gothic Sculpture 1140–1300 and Netherlandish Sculpture.