Synopses & Reviews
Written between 1939 and 1942, these are among the most concise, witty, and lighthearted of all Brecht's theoretical discussions of theatre. In Brecht's words, they constitute a "four-sided conversation about a new way of making theatre" and provide the blueprint for Brecht's radical aesthetic of the 1930s and 40s.
Here, Actor, Actress, and Dramaturg (or literary adviser) argue with the Brechtian Philosopher, who wants to exploit their talent for his own purposes. The result is a lively debate about the place of art in society.
The text is translated by John Willett, joint editor of Brecht's collected plays in English, and includes Brecht's own notes as well as a commentary.
Synopsis
Brecht's most important treatise on theatre
The Messingkauf dialogues are the longest but in some ways the most light hearted of all Brecht's discussions of theatre. Here Actor, Actress, Dramaturg (or literary adviser) and Electrician argue with the Brechtian Philosopher who wants to exploit their talent for his own purposes. The result is a lively debate about the place of art in society.
Synopsis
The Messingkauf dialogues are the longest but in some ways the most light hearted of all Brecht's discussions of theatre. Here Actor, Actress, Dramaturg (or literary adviser) and Electrician argue with the Brechtian Philosopher who wants to exploit their talent for his own purposes. The result is a lively debate about the place of art in society.
About the Author
Born in Augsburg, Germany, in 1898 and died in Berlin in 1956. With plays such as The Threepenny Opera, Mother Courage, Life of Galileo, and The Caucasian Chalk Circle, he cemented his reputation as one of the most modern and innovative of twentieth century dramatists.