Synopses & Reviews
From the critically acclaimed author of Savage Theories and Dark Constellations comes Pola Oloixarac's Mona, where success as a writer of color proves to be a fresh hell for a young Latin American woman at a literary conference in Sweden.
Mona, a Peruvian writer based in California, presents a tough and sardonic exterior. She likes drugs and cigarettes, and when she learns that she is something of an anthropological curiosity — a woman writer of color treasured at her university for the flourish of rarefied diversity she brings — she pokes fun at American academic culture and its fixation on identity.
When she is nominated for "the most important literary award in Europe," Mona sees a chance to escape her downward spiral of sunlit substance abuse and erotic distraction, so she trades the temptations of California for a small, gray village in Sweden, close to the Arctic Circle. Now she is stuck in the company of all her jet-lagged — and mostly male — competitors, arriving from Japan, France, Armenia, Iran, and Colombia. Isolated as they are, the writers do what writers do: exchange compliments, nurse envy and private resentments, stab rivals in the back, and hop in bed together. All the while, Mona keeps stumbling across the mysterious traces of a violence she cannot explain.
As her adventures in Scandinavia unfold, Mona finds that she has not so much escaped her demons as locked herself up with them in the middle of nowhere. In Mona, Pola Oloixarac paints a hypnotic, scabrous, and ultimately jaw-dropping portrait of a woman facing down a hipster elite to which she does and does not belong. A survivor of both patronization and bizarre sexual encounters, Mona is a new kind of feminist. But her past won't stay past, and strange forces are working to deliver her the test of a lifetime.
Review
"International literary gatherings are ripe for sharp satire, but they're never as hilariously funny, weird, and adorable as the one portrayed in Mona. Brainy, cheerfully dirty, and caught in a fine mess, Mona herself, like this novel, is exhilarating company." Francisco Goldman, author of Say Her Name
Review
"A rapturous tour de force by Pola Oloixarac — one of the few writers I cannot live without — Mona is that novel that, once finished, leaves its reader perfectly, beautifully undone. Part mystery, part send-up of a literary world, part journey into night, Mona reminds us that no matter how far you fly, the past is always near. If Mona were any smarter, any funnier, any truer, I'm not sure my tender heart could have taken it." Junot Diaz, author of This is How You Lose Her
Review
"A provocative, defiant, clever, painful, empowering, hilarious novel of literary climax and sexual healing. Mona is like a sauna: you better not enter with your clothes on, or without a birch switch." Valerie Miles, translator and co-founder of Granta en Español
Review
"Sly, bitter, and smart, Mona is at once a satirical comedy, a harrowing psychological portrait of a woman's dissociation, and a philosophical indictment of the hubris of now. Read it and be surprised." Siri Hustvedt, author of Memories of the Future
Review
"In her signature prose style — part philosophy professor, part stand-up comedian — Pola Oloixarac revels in disassembling the sanctimonious hypocrisies of those who proclaim to stand against sanctimonious hypocrisies: writers." Mauro Javier Cardenas, author of Aphasia
About the Author
Pola Oloixarac was born in Buenos Aires in 1977. Her debut novel, Savage Theories, was a breakout bestseller in Argentina and was nominated for the Best Translated Book Award, and in 2010, Granta recognized her as one of the best young Spanish-language novelists. She was awarded the 2021 Eccles Centre & Hay Festival Writer's Award. Oloixarac is a regular contributor to The New York Times, and her fiction has appeared in Granta, n+1, The White Review, and an issue of Freeman's on The Future of New Writing. Previously a resident of San Francisco, California, she currently resides in Barcelona.