Synopses & Reviews
The search for the origins of language was one of the most pressing philosophical issues of the eighteenth century. It has escaped notice, however, that music figured prominently in that search. This study analyzes reflections on music and music theory as they appear within the logical and narrative structure of texts by, for example, Rousseau, Diderot, Rameau and Condillac, and considers the ways in which music facilitates links between language and meaning, between conceptions of an original society and an ideal social order.
Review
'Thomas distills these and far more recondite arguments with admirable clarity, and, what is more, he persuades the non-philosophically inclined reader of the relevance of his investigation.' Musical Times
Review
'... it provides an invaluable chronicle of some fascinating developments in the idea of a musical language within neo-classical theories of representation.' British Journal of Aesthetics
Synopsis
This study analyses reflections on music and music theory as they appear within the logical and narrative structure of texts by, for example, Rousseau, Diderot, Rameau and Condillac, and considers the ways in which music facilitates links between language and meaning, between conceptions of an original society and an ideal social order.
Synopsis
This study analyses reflections on music and considers ways in which it facilitates links between language and meaning.
Table of Contents
Acknowledgements; Introduction; 1. Music and language; 2. Origins; 3. Music theory and the genealogy of knowledge in Condillac's Essai sur l'origine des connaissances humaines; 4. Music and original loss in Rousseau's Essai sur l'origine des langues; 5. Sensible sounds: music and theories of the passions; Conclusion; Biography; Index.