Synopses & Reviews
The Roman emperor Nero is remembered by history as the vain and immoral monster who fiddled while Rome burned. Edward Champlin reinterprets Nero's enormities on their own terms, as the self-conscious performances of an imperial actor with a formidable grasp of Roman history and mythology and a canny sense of his audience.
Nero murdered his younger brother and rival to the throne, probably at his mother's prompting. He then murdered his mother, with whom he may have slept. He killed his pregnant wife in a fit of rage, then castrated and married a young freedman because he resembled her. He mounted the public stage to act a hero driven mad or a woman giving birth, and raced a ten-horse chariot in the Olympic games. He probably instigated the burning of Rome, for which he then ordered the spectacular punishment of Christians, many of whom were burned as human torches to light up his gardens at night. Without seeking to rehabilitate the historical monster, Champlin renders Nero more vividly intelligible by illuminating the motives behind his theatrical gestures, and revealing the artist who thought of himself as a heroic figure.
Nero is a brilliant reconception of a historical account that extends back to Tacitus, Suetonius, and Cassius Dio. The effortless style and artful construction of the book will engage any reader drawn to its intrinsically fascinating subject.
Review
Nero is fascinating because he epitomizes the decadence of Rome. This book--a rare combination of scholarship with elegance of expression and wit--explains why. It reveals him as the ultimate performance artist who plundered history and mythology for themes and props with which to give purpose and justification to his aberrant behaviour. His life was pure theatre, played out for his people and for posterity to marvel at. -- Mary Beard - London Review of Books
Review
A compelling reevaluation of an oft-maligned ancient figure who created his own myth out of the fabric of his life. -- Robert C. Wirsing - International History Review
Review
Nero is fascinating because he epitomizes the decadence of Rome. This book--a rare combination of scholarship with elegance of expression and wit--explains why. It reveals him as the ultimate performance artist who plundered history and mythology for themes and props with which to give purpose and justification to his aberrant behaviour. His life was pure theatre, played out for his people and for posterity to marvel at.
Review
Nerois an excellent read, an atmospheric retelling of the wonders and horrors of its fascinating subject. Champlin piles up contexts and materials to fill out the shorter accounts offered by ancient authors in an attempt to find meaning in Nero's extraordinary actions...It is vivid and exciting. Nero's world appears in a series of brilliant tableauxand the central character entrances as he horrifies. -- Peter Jones - Sunday Telegraph
Review
Champlin's Nero...is a compelling reminder that historical 'truth' is usually a lot more complex and elusive than we realize and that history is rarely written without bias or hidden motives, conscious or otherwise. You will not love Nero any more after reading Champlin's account of him, but you will have a far keener understanding of him, and his context, than you likely had before. -- Publishers Weekly
Review
Champlin argues that Nero saw himself first and foremost as an artist, a sort of Oscar Wilde figure whose love of theatricality dominated his life...Champlin judges Nero to have been an artist, aesthete, showman and PR man of considerable talent, ingenuity and energy, who understood what the people wanted to see--and this, he concludes, accounts for Nero's remarkable afterlife. Whether one believes that conclusion or not, Champlin's brilliant interpretation of Nero's stage activities strikes me as an important advance in our understanding of what drove that dreadful man. -- Jonathan Yardley - Washington Post Book World
Review
This book is a tour de force...Champlin weaves a stunningly cohesive picture of a man of unlimited power confined only by the theatrical capacity of his imagination; but among the multiplicity of roles that Nero played, is there no room for contradiction or inconsistency? Nero and Champlin share the same dexterity in persuading their audience of the logic of their vision; their dual act will be very hard for the next biographer of Nero to follow. -- Keith Bradley - Scholia Reviews
Review
A glittering achievement...Champlin represents Nero as a brilliant interpreter and exploiter of mythological exempla, an ironic Saturnalicus princepswhose inversions of societal norms and power-structures were embedded within an overarching program of populist public imagery that sought constantly to confirm and extend the connection between the emperor and his audience...It is hard to praise Champlin's achievement sufficiently...Anyone interested in the emperor or the early empire must consult this work. It is indispensable. -- Kathleen Coleman - Journal of Roman Archaeology
Review
[Champlin's] Nerois as dazzling an achievement as the Sun King and his creations. -- Adam Zamoyski - Good Book Guide
Review
Champlin has a keen eye for the parallels between Neronian history and the mythic inheritance of Greco-Roman culture...There is much else in the book that is the fruit of careful and astute analysis. -- Greg Woolf - Times Literary Supplement
Review
Not the least of the many fine features of Edward Champlin's brilliant new book on Nero, however, is a refreshing discussion of the lost sources on which extant accounts drew...By far the most enjoyable and rewarding modern work on Nero I know...The book is imaginative, evocative, stylishly written, and a delight to read (and re-read). It is based on impeccable research and a fine sense of Roman topography. -- D. Wardle - Classical Review
Review
[Champlin's] working method is efficient, his style is vivid, especially in description and narrative...Champlin's book, a real tour de force, will certainly appeal to a large audience. -- Paul Roche - Bryn Mawr Classical Review
Synopsis
The Roman emperor Nero is remembered as the vain and immoral monster who fiddled while Rome burned. He murdered his younger brother and rival to the throne. He then murdered his mother, with whom he may have slept. He killed his pregnant wife in a fit of rage, then castrated and married a young freedman because he resembled her. Without seeking to rehabilitate Nero, Champlin reinterprets his enormities on their own terms, as the self-conscious performances of an imperial actor with a formidable grasp of Roman history and mythology."Nero ...is a compelling reminder that historical 'truth' is usually [much] more complex and elusive than we realize and that history is rarely written without bias or hidden motives, conscious or otherwise. You will not love Nero any more after reading Champlin's account of him, but you will have a far keener understanding of him, and his context." Jonathan Yardley, Washington Post Book World"Nero is an excellent read, an atmospheric retelling of the wonders and horrors of its fascinating subject." Greg Woolf, Times Literary Supplement
Synopsis
The Roman emperor Nero is remembered by history as the vain and immoral monster who fiddled while Rome burned. He murdered his younger brother and rival to the throne, probably at his mother's prompting. He then murdered his mother, with whom he may have slept. He ordered the spectacular punishment of Christians for the burning of Rome, many of whom were burned as human torches to light up his gardens at night. Edward Champlin reinterprets Nero's enormities on their own terms, as the self-conscious performances of an imperial actor with a formidable grasp of Roman history and mythology and a canny sense of his audience.
About the Author
Edward Champlinis Professor of Classics andCotsen Professor of Humanities,
Princeton University. Table of Contents
1. The Once and Future King
2. Stories and Histories
3. Portrait of the Artist
4. The Power of Myth
5. Shining Apollo
6. Saturnalia
7. One House
8. Triumph
Epilogue
Note on Sources
Bibliography
Notes
Acknowledgments
Illustration Credits
Index