Synopses & Reviews
Emanuel’s version of a “new and selected poems” turns convention on its head. She ignores chronology, placing new poems beside old, mixing middle and early poems with recent work, and liberating all her poems from the restraints of their particular histories, both aesthetic and autobiographical. Whether writing in the comedic drag of the cartoon strip, or investigating the Mobius strip relationship between reader and writer, or exposing the humor and hurt that accompany visitations from Frank O’Hara and Gertrude Stein, The Nerve of It both stings and pleases with its intelligence, wit and vivacity. It breaks through, in ways that are bold, sexy, haunting and wry, the die-hard opposition of new and old, personal narrative and linguistic play, sincerity and irony, misery and hilarity. Open the book. Something new is happening here.
Review
“Emanuel's work (Noose and Hook), in the new and previously collected poems presented here in an original sequence, displays all the qualities of an outgoing personality: direct, confident, vivacious, and generous to the reader. It's an original turn; the arc is nonchronological and reads as a single, independent text that makes clear the central concerns in her work and shows the development of various aesthetic and thematic tracks. The collection begins with Emanuel's most straightforwardly autobiographical poems and moves through her increasing interest in the slippery qualities of narrative. Poems of portraiture and place begin to include meditations on mortality and decay, attend to abstracted qualities of identity and intimacy, in homages to Baudelaire, O'Hara, Stein, Whitman, and Berrigan. While in much of her writing the writer is "like a ship plated with the armor of experience,/ nosing the seas which are its seas," there is also "the call to rise out of the trance of myself/ into the surcease of the dying world." Emanuel's uninhibited manner and her noir sensibilities are constants, especially the finely wrought use of melodrama and the erotic. New readers will gain a strong sense of Emanuel's poetics, and those familiar with her work will see old poems in a new light as their shifted contexts draw out new resonances.”
—Publishers Weekly
Synopsis
Winner of the 2016 Lenore Marshall Poetry Prize from the Academy of American Poets
Emanuel s version of a new and selected poems turns convention on its head. She ignores chronology, placing new poems beside old, mixing middle and early poems with recent work, and liberating all her poems from the restraints of their particular histories, both aesthetic and autobiographical. Whether writing in the comedic drag of the cartoon strip, or investigating the Mobius strip relationship between reader and writer, or exposing the humor and hurt that accompany visitations from Frank O Hara and Gertrude Stein, The Nerve of It both stings and pleases with its intelligence, wit and vivacity. It breaks through, in ways that are bold, sexy, haunting and wry, the die-hard opposition of new and old, personal narrative and linguistic play, sincerity and irony, misery and hilarity. Open the book. Something new is happening here."
About the Author
Lynn Emanuel is the author of four books of poetry, Hotel Fiesta, The Dig, Then, Suddenly—, and, most recently, Noose and Hook. Her work has been featured in the Pushcart Prize Anthology and Best American Poetry numerous times and is included in The Oxford Book of American Poetry. She has been a judge for the National Book Awards and has taught at the Bread Loaf Writers' Conference, The Warren Wilson Program in Creative Writing, and the Bennington College Low Residency MFA program. She is the recipient of two fellowships from the National Endowment for the Arts, The National Poetry Series Award, the Eric Matthieu King Award from The Academy of American Poets and, most recently, a fellowship from the Ranieri Foundation.