Synopses & Reviews
A variety of critical approaches illuminate different facets of Poe's complex imagination.
Synopsis
In his introduction to New Essays on Poe's Major Tales Kenneth Silverman sets forth Poe's theory of the tale, and examines recurrent motifs in his fiction. The essays that follow present a variety of critical approaches and illuminate different facets of Poe's complex imagination, concentrating on such famous tales as The Cask of Amontillado, The Fall of the House of Usher, The Black Cat, and The Murders in the Rue Morgue. In interpreting one or a few of Poe's classic tales, the critics also illuminate such broader issues as his depiction of women, his theory of knowledge, his understanding of perversity, his relation to popular culture, and his preoccupation with death.
Table of Contents
Series editor's Preface; 1. Introduction Kenneth Silverman; 2. Poe and the unreadable: The Black Cat and The Tell-Tale Heart Christopher Benfey; 3. The perverse strategy in The Fall of the House of Usher Louise J. Kaplan; 4. Detecting the truth: the world of the Dupin tales David Van Leer; 5. Poe's art of transformation: The Cask of Amontillado in its cultural context David Reynolds; 6. Poe, Ligeia, and the problem of dying women J. Gerald Kennedy; Notes on contributors; Selected bibliography.