Synopses & Reviews
Synopsis
A new collection from a poet who has made "a body of work at once utterly lucid and breathtakingly urgent" (Louise Gl ck). Joanna Klink's fifth book begins with personal poems of loss--a tree ripped out by a windstorm, a friendship broken off after decades, the nearing death of parents. Other poems take on the cost of not loving fully, or are written from disbelief at the accumulation of losses and at the mercilessness of having, as one ages, to rule things out. There are elegies for friends, and a group of devotional poems. The Nightfields closes with "Night Sky," thirty metaphysical poems inspired by the artist James Turrell's Roden Crater, an extinct volcano in Arizona that Turrell has been transforming into an open-air observatory for the perception of time. The sequence unfolds as a series of revelations that begin in psychic fear and move gradually toward a sense of infinitude and connection.
Synopsis
A new collection from a poet whose books "are an amazing experience: harrowing, ravishing, essential, unstoppable" (Louise Gl ck) Joanna Klink's fifth book begins with poems of perosnal loss--a tree ripped out by a windstorm, a friendship broken off after decades, the nearing death of parents. Other poems take on the cost of not loving fully, or are written from bewilderment at the accumulation of losses and at the mercilessness of having, as one ages, to rule things out. There are elegies for friends, and a group of devotional poems. The Nightfields closes with thirty-one metaphysical poems inspired by the artist James Turrell's Roden Crater, an extinct volcano in Arizona that Turrell has been transforming into an observatory for the perception of time. The sequence unfolds as a series of revelations that begin in psychic fear and move gradually toward the possibility of infinitude and connection.
Synopsis
A new collection from a poet whose books are an amazing experience: harrowing, ravishing, essential, unstoppable (Louise Gl ck) Named one of the Best Poetry Collections of 2020 by The Washington Post
Joanna Klink's fifth book begins with poems of personal loss--a tree ripped out by a windstorm, a friendship broken off after decades, the nearing death of parents. Other poems take on the cost of not loving fully, or are written from bewilderment at the accumulation of losses and at the mercilessness of having, as one ages, to rule things out. There are elegies for friends, and a group of devotional poems. The Nightfields closes with thirty-one metaphysical poems inspired by the artist James Turrell's Roden Crater, an extinct volcano in Arizona that Turrell has been transforming into an observatory for the perception of time. The sequence unfolds as a series of revelations that begin in psychic fear and move gradually toward the possibility of infinitude and connection.
Synopsis
A WASHINGTON POST BEST POETRY COLLECTION OF 2020 A new collection from a poet whose books are an amazing experience: harrowing, ravishing, essential, unstoppable (Louise Gl ck)
Joanna Klink's fifth book begins with poems of personal loss--a tree ripped out by a windstorm, a friendship broken off after decades, the nearing death of parents. Other poems take on the cost of not loving fully, or are written from bewilderment at the accumulation of losses and at the mercilessness of having, as one ages, to rule things out. There are elegies for friends, and a group of devotional poems. The Nightfields closes with thirty-one metaphysical poems inspired by the artist James Turrell's Roden Crater, an extinct volcano in Arizona that Turrell has been transforming into an observatory for the perception of time. The sequence unfolds as a series of revelations that begin in psychic fear and move gradually toward the possibility of infinitude and connection.