Synopses & Reviews
The Grateful Dead, one of the most meticulously documented rock bands, significantly influenced American music and popular culture. Its popularity has endured for three decades despite mixed critical reception. Jerry Garcia, thought of among many as a musical icon and spokesperson for more than one generation of fans, was often equally scorned by various critics. This collection of scholarly essays attests to the varied fields of interest the band and its followers, known as Deadheads, have affected, including psychology, law, and ethnomusicology. The contributions explore the diversity of the culture of fans, empirically analyze the music, apply literary criticism to the lyrics, and explore Dead-related philosophical and theological concepts — in other words, they are as eclectic as the myriad Grateful Dead fans themselves.
Appealing to Grateful Dead scholars, fans, and collectors alike, these twenty-two essays are grouped by subject, and each essay includes a bibliography of resources for further research.
Review
[T]he writing is...extremely rewarding.JamBands.com
Review
It's high time the Grateful Dead come in for serious study. There is no other phenomenon in American culture that has demonstrated the staying power of this remarkable band, its folk and folklore; and yet, until now, the Dead have been marginalized in popular culture, and all but ignored in academe. Rob Weiner is to be commended for breaking the silence with this provocative collection of first generation scholarship about the Grateful Dead.Carol Brightman Author of Sweet Chaos: The Grateful Dead's American Adventure and Writing Dangerously
Review
Herein lies ample proof of the Grateful Dead's social prowess. Loved and hated in equal measures, this aspect of the band is explored through delightfully diverse, carefully crafted essays that are revealed to be -- through the depth of their reflections -- organic tentacles, sprouting from the same well the Dead drank from. Weiner has chosen wisely. Open-minded readers, fans or not, will come away enriched.Michael Getz Co-author of the The Deadhead's Taping Compendium
Review
This book adds another significant piece toward solving the enigmatic puzzle of the Grateful Dead and Deadheads by bringing together a wide variety of writings about the music and the fans. No matter if you're a true believer yourself, these writings help explain the near-religious devotion of the fans, dissect the meaning of lyrics, and examine the culture of the Deadheads in intelligent, well-written articles.F. Barry Barnes, Assistant Professor School of Business and Entrepreneurship Nova Southeastern University Fort Lauderdale, Florida
Review
`IPerspectives on the Grateful Dead: Critical Writings is a multi-perspective, innovative work, expanding the world of rigorous rock music study....Serious students and scholars of rock music will find many a 'miracle' in Perspectives on the Grateful Dead.Paul Friedlander Director Music Industry Program California State University, Chico
Synopsis
The Grateful Dead, one of the most meticulously documented rock bands, significantly influenced American music and popular culture. Its popularity has endured for three decades despite mixed critical reception. Jerry Garcia, thought of among many as a musical icon and spokesperson for more than one generation of fans, was often equally scorned by various critics. This collection of scholarly essays attests to the varied fields of interest the band and its followers, known as "Deadheads," have affected, including psychology, law, and ethnomusicology. The contributions explore the diversity of the culture of fans, empirically analyze the music, apply literary criticism to the lyrics, and explore Dead-related philosophical and theological concepts -- in other words, they are as eclectic as the myriad Grateful Dead fans themselves.
Synopsis
Assesses the musical and cultural legacy of the Grateful Dead t
Synopsis
hrough a variety of writings that span disciplines such as philosophy, theology, literary criticism, law, and statistics.
About the Author
ROBERT G. WEINER is a Reference Librarian at the Mahon Library in Lubbock, Texas.
Table of Contents
Foreword by Rebecca G. Adams
Introduction by Robert G. Weiner
Precisely How and Why I Didn't Kill Jerry: Ethnography, Surrealism, and The Millennium Shows by Philip E. Baruth
A Pilot Study in Dream Telepathy with the Grateful Dead by Stanley Krippner
Legally Dead: The Grateful Dead and American Legal Culture by David Fraser and Vaughan Black
The Grateful Dead Onstage in "World Music" by Thomas Vennum, Jr.
"No, but I've Been to Shows": Accepting the Dead and Rejecting the Deadheads by David L. Pelovitz
Why Are There So Many Jewish Deadheads? by Douglas M. Gertner
Bakhtinian Carnival, Corporate Capital, and the Last Decade of the Dead by Brad Lucas
Understanding "Show" as a Deadhead Speech Situation by Natalie Dollar
Is There a Day of the Month Effect in "Beat It On Down the Line?" by Robert K. Toutkoushian
The Grateful Dead Experience: A Factor Analytic Study of the Personalities of People Who Identify with the Grateful Dead by William McCown and Wendy L. Dulaney
"High Time" and Ambiguous Harmonic Function by Walter Everett
Space, Motion, and Other Musical Metaphors by Shaugn O'Donnell
The Grateful Dead Legendstock: Based on Alan Trist's Water of Life -- A Tale of the Grateful Dead by Marjorie C. Luesebrink
The Grateful Dead vs. the American Dream? by Jason Palm
The Annotated "Ramble on Rose": An installment in The Annotated Grateful Dead Lyrics (a work in progress) by David Dodd
"Laid my proposition down/Laid it on the line": Gambling and the Storyteller in Robert Hunter's Lyrics by Anissa Craghead
Grateful Dead: Manifestations from the Collective Unconscious by Mary Goodenough
Clinging to the Edge of Magic: Shamanic Aspects of the Grateful Dead by Nancy Reist
The Grateful Dead as Community by Rachel Wilgoren
Deadhead Tales of the Supernatural: A Folkloristic Analysis by Revell Carr
The Piping of Heaven: Reckless Musings on Philosophical Taoism and the Grateful Dead Phenomenon by Joseph P. Noonan III
The Ripple Effect by Joseph Holt
Afterword
The Curriculum of Joy by Steve Silberman