Synopses & Reviews
Synopsis
Ed Smith blazed onto the Los Angeles poetry scene in the early '80s from out of the hardcore punk scene. The charismatic, nerdy young man hit home with his funny/scary off-the-cuff-sounding poems; in fact, as his notebooks reveal, his work was carefully honed. Ed was part of a vibrant circle of writers and artists that congregated at Beyond Baroque, the community arts center in Venice, on L.A.'s west side. He and his "gang," among them Amy Gerstler, Dennis Cooper, Bob Flanagan, Mike Kelley, and David Trinidad, shared their work, read and partied and performed together, and published each others' work.
Ed was more than bright and versatile: he worked as a math tutor, an animator, and a typesetter, to name just a few of his jobs. In the mid-'90s he fell in love with Japanese artist Mio Shirai; they married and moved to New York City. Despite productive years and joyful times, he was plagued by mood disorders and drug problems, and at the age of forty-eight, he took his own life.
David Trinidad has brought together a full selection of Smith's work: his published books; unpublished poems; excerpts from his extensive notebooks; photos and ephemera; and the timely "cry for civilization," his magnum opus, "Return to Lesbos" put down that gun / stop electing Presidents.
Ed Smith's poems speak to living in an increasingly dehumanizing consumer society and corrupt political system. This "punk Dorothy Parker" is more relevant than ever for our ADD, technology-distracted times.
Here. Fill your
world with
poetry.
I'm getting
intensely into
the Ed Smith
experience.
Synopsis
In Punk Rock Is Cool for the End of the World, David Trinidad brings together a comprehensive selection of Ed Smith's work: his published books; unpublished poems; excerpts from his extensive notebooks; photos and ephemera; and his timely "cry for civilization," "Return to Lesbos" put down that gun / stop electing Presidents.
Ed Smith blazed onto the Los Angeles poetry scene in the early 1980s from out of the hardcore punk scene. The charismatic, nerdy young man hit home with his funny/scary off-the-cuff-sounding poems, like "Fishing" This is a good line. / This is a bad line. This is a fishing line.
Ed's vibrant "gang" of writer and artist friends--among them Amy Gerstler, Dennis Cooper, Bob Flanagan, Mike Kelley, and David Trinidad--congregated at Beyond Baroque in Venice, on LA's west side. They read and partied and performed together, and shared and published each others' work.
Ed was more than bright and versatile: he worked as a math tutor, an animator, and a typesetter. In the mid-1990s, he fell in love with Japanese artist Mio Shirai; they married and moved to New York City. Despite productive years and joyful times, Ed was plagued by mood disorders and drug problems, and at the age of forty-eight, he took his own life.
Ed Smith's poems speak to living in an increasingly dehumanizing consumer society and corrupt political system. This "punk Dorothy Parker" is more relevant than ever for our ADD, technology-distracted times.
Synopsis
The irreverent, tweetable, ludicrous, painful, wondrous work of the L.A. punk poet--widely available for the first time.
In Punk Rock Is Cool for the End of the World, David Trinidad brings together a comprehensive selection of Ed Smith's work: his published books; unpublished poems; excerpts from his extensive notebooks; photos and ephemera; and his timely "cry for civilization," "Return to Lesbos" put down that gun / stop electing Presidents.
Ed Smith blazed onto the Los Angeles poetry scene in the early 1980s from out of the hardcore punk scene. The charismatic, nerdy young man hit home with his funny/scary off-the-cuff-sounding poems, like "Fishing" This is a good line. / This is a bad line. This is a fishing line.
Ed's vibrant "gang" of writer and artist friends--among them Amy Gerstler, Dennis Cooper, Bob Flanagan, Mike Kelley, and David Trinidad--congregated at Beyond Baroque in Venice, on LA's west side. They read and partied and performed together, and shared and published each others' work.
Ed was more than bright and versatile: he worked as a math tutor, an animator, and a typesetter. In the mid-1990s, he fell in love with Japanese artist Mio Shirai; they married and moved to New York City. Despite productive years and joyful times, Ed was plagued by mood disorders and drug problems, and at the age of forty-eight, he took his own life.
Ed Smith's poems speak to living in an increasingly dehumanizing consumer society and corrupt political system. This "punk Dorothy Parker" is more relevant than ever for our ADD, technology-distracted times.