Synopses & Reviews
This triumphant novel about the razzle-dazzle Hindi film industry confirms Shashi Tharoor's reputation as one of India's most important voices and a writer of world stature. His hero or antihero is Ashok Banjara, one of Bollywood's mega-movie stars, a man of great ambition and dubious morals. With irrepressible charm and a genius for staure, Tharoor protrays the film world, with all its Hollywoodesque glitz and glamour, egos and double standards, as a metaphor for modern society. On-screen fiction and offscreen reality intertwine seamlessly to weave a tapestry of power and priveiledge, seduction and betrayal, politics and intrigue, that is at once colorful, entertaining, and deadly serious.
Synopsis
A rollicking novel about the razzle-dazzle of the Hindi film industry, know as Bollywood. "Exuberant and clever...both affectionately and fiercely done." (New York Times Books Review Notable book of the year)
Synopsis
Critically injured, Indian film superstar Ashok Banjara lies suspended between life and death in the intensive care unit of a plush Bombay hospital, watching the final rerun of his life. Visitors come and go, talking, confiding, pleading with him to rise from his coma, but there is no reaction from Banjara, a prisoner of the technicolor film that plays inside his head. He encounters again all the people he used along the way in his successful film career - his father, a principled politician whose desire to see his son follow in his footsteps is, ironically, fulfilled at the cost of his own aspirations; Maya, his wife, a film star herself who gives up a promising career to live in the shadow of her husband's superstardom; Pranay, the archetypal cinema villain, who has always loved Maya and can no longer watch from the sidelines as her life is destroyed by the man who snatched her away; Mehnaz Elahi, India's sexiest screen heroine and Banjara's mistress; Ashwin, his devoted younger brother, whom Ashok can only betray...and many others who had supporting parts in his life but whose confessions now change the script forever. As a backdrop to these unforgettable characters a private retrospective of his major hits unreels - gaudy, exuberant, beguiling - a never-ending celluloid fantasy that took over his life completely and transformed it into an astonishing, compelling lie. With irrepressible charm and a genius for satire, Tharoor portrays the Indian film world with all its Hollywoodesque glitz and glamour, egos and double standards, as a metaphor for Indian society and no doubt all societies. Onscreen fiction and offscreen reality intertwine seamlessly to weave a tapestry of power andprivilege, seduction and betrayal, politics and intrigue, that is at once colorful, entertaining, and deadly serious. Show Business is many books rolled into one: it is a story about the telling of stories; it is a wonderfully funny tale about the romance and folly of cinema; it is a novel on an epic scale of ambition, greed, love, deception, and death. And, perhaps most important, it is a fable for our time which teaches us that we live in a world where illusion is the only reality and nothing is as it seems.
About the Author
Shashi Tharoor is the author of three novels, Riot, Show Business, and The Great Indian Novel, and two works of nonfiction, India: From Midnight to the Millennium and Nehru: A Biography, all published by Arcade. He has written for the New York Times, the Washington Post, the International Herald Tribune, the Times of India, the Indian Express, and Foreign Affairs. He was born in London and educated in India and the United States. Winner of a Commonwealth Writers Prize, Tharoor is the United Nations undersecretary of communication and public information. He lives in New York City. http://www.shashitharoor.com