Synopses & Reviews
Synopsis
Brilliantly faceted and extremely funny. . . . While I was reading it, I was making a list of all the people I wanted to send it to, until I realized that I wanted to send it to everyone I know. -- Ann Patchett
"Improbably charming...will have you chortling and reading lines aloud." --PEOPLE
The internationally bestselling, compulsively readable novel--spiky, sharp, intriguingly dark, and tender--that combines the psychological insight of Sally Rooney with the sharp humor of Nina Stibbe and the emotional resonance of Eleanor Oliphant Is Completely Fine.
Martha Friel just turned forty. She used to work at Vogue and was going to write a novel. Now, she creates internet content for no one. She used to live in Paris. Now, she lives in a gated community in Oxford that she hates and can't bear to leave. But she must now that her loving husband Patrick has just left.
Because there's something wrong with Martha. There has been since a little bomb went off in her brain, at seventeen, leaving her changed in a way no doctor or drug could fix then and no one, even now, can explain--why can say she is so often sad, cruel to everyone she loves, why she finds it harder to be alive than other people.
With Patrick gone, the only place Martha has left to go is her childhood home, to live with her chaotic parents, to survive without Ingrid, the sister who made their growing-up bearable, who said she would never give up on Martha, and who finally has.
It feels like the end but maybe, by going back, Martha will get to start again. Maybe there is a different story to be written, if Martha can work out where to begin.
Synopsis
Winner of the Book of the Year (Fiction) at the British Book Awards
Shortlisted for the Women's Prize for Fiction
"Brilliantly faceted and extremely funny. . . . While I was reading it, I was making a list of all the people I wanted to send it to, until I realized that I wanted to send it to everyone I know." -- Ann Patchett
The internationally bestselling, compulsively readable novel--spiky, sharp, intriguingly dark, and tender--that combines the psychological insight of Sally Rooney with the sharp humor of Nina Stibbe and the emotional resonance of Eleanor Oliphant Is Completely Fine.
Martha Friel just turned forty. She used to work at Vogue and was going to write a novel. Now, she creates internet content for no one. She used to live in Paris. Now, she lives in a gated community in Oxford that she hates and can't bear to leave. But she must now that her loving husband Patrick has just left.
Because there's something wrong with Martha. There has been since a little bomb went off in her brain, at seventeen, leaving her changed in a way no doctor or drug could fix then and no one, even now, can explain--why can say she is so often sad, cruel to everyone she loves, why she finds it harder to be alive than other people.
With Patrick gone, the only place Martha has left to go is her childhood home, to live with her chaotic parents, to survive without Ingrid, the sister who made their growing-up bearable, who said she would never give up on Martha, and who finally has.
It feels like the end but maybe, by going back, Martha will get to start again. Maybe there is a different story to be written, if Martha can work out where to begin.