Synopses & Reviews
"At a time when scholars question the validity of a literary canon as well as any single interpretation of texts, Binion offers a boldly original and compelling explanation of why a dozen classics are classics and what they mean. Along the way he offers succinct, brilliant interpretations of the historical context of cultural developments throughout Western history as the book treats themes of guilt, alienation, friendship, Christianity, truth, family, sex, art, and death". Stephen Kern
author of The Culture of Time and Space:1880-1918
"Dazzling new insights into the greatest books of the Western heritage. Binion does what none has done before: discovering the two basic archetypes (text and subtext) uniting a dozen otherwise divergent classics. Result: thereby this book on the classics has itself become a classic". Peter Viereck
Pulitzer winner and author of Tide and Continuities
"Sounding the Classics makes studious use of Binion's linguistic expertise, and of his thorough grasp of cultural and literary history, but above all his analyses are sustained and patient acts of attention, culminating in insights which are tactful in the deepest sense of that word, and which will be felt by sensitive readers to bring to full consciousness their experience of the texts in question". Richard Wilbur
American Poet Laureate
This book explores the distinctive character of the classics through a comparative study of 12 works of fiction broadly representative of the Western canon.
Synopsis
This book explores the distinctive character of the classics through a comparative study of twelve works of fiction broadly representative of the Western canon.
Synopsis
This book is a comparative study of twelve works of fiction broadly representative of the Western canon. Its aim is to discover what gives these twelve works their lasting appeal and vitality over and beyond their formal qualities. It focuses on the interplay of "text" and "subtext" within each work after defining these terms at the outset. It then compares its twelve sample classics systematically in a conclusion that argues from the works themselves to classics in general.
Synopsis
This book is a comparative study of 12 works of fiction broadly representative of the Western canon. Its aim is to discover what gives these 12 works their lasting appeal and vitality over and beyond their formal qualities. It focuses on the interplay of text and subtext within each work after defining these terms at the outset. It then compares its 12 sample classics systematically in a conclusion that argues from the works themselves to classics in general.
Binion's key finding is that for a piece of fiction to feel deep, whole, and great, as classics do, its text must be underpinned from start to finish by a subtext, or alternative reading, which calls that text itself into question. A book for scholar, student and educated public alike, no serious reader will be able to consider what makes a classic without reference to this work.
About the Author
RUDOLPH BINION is Leff Professor of History at Brandeis University.
Table of Contents
Text and Subtext
The Trouble with Oedipus: Sophocles' Oedipus the King
Blood for Blood: The Gospel According to Matthew
In You My Death, In You My Life: The Tristan Legend
Lust Forever: Dante's Inferno - The Francesca Episode
Strange Mutations: Shakespeare's King Lear
In Flames and In Tears: Racine's Phaedra
A Wanderer on Earth: Goethe's The Sorrows of Young Werther
On Death Row: Stendhal's The Red and the Black
Like An Echo Fading: Flaubert's A Simple Heart
Mankind Revisited: Dostoyevsky's The Grand Inquisitor
A Lamed and Tamed Duck: Ibsen's The Wild Duck
Death Beckoning: Thomas Mann's Death in Venice
From Plagued Thebes To Plagued Venice