Synopses & Reviews
andlt;Pandgt;Although others have written eloquently on the relationship of water to built form, until now no one has investigated the swimming pool as a quintessentially modern and American space, reflecting America's infatuation with hygiene, skin, and recreation. In The Springboard in the Pond, Thomas van Leeuwen looks at a familiar hole--the domestic swimming pool--and discovers an icon indispensable to the reading of twentieth-century modernism.At one level, the book is a rereading of modern architecture that will leave that story permanently altered. At another level, it is the story of the origin and evolution of the private swimming pool as a building type and cultural artifact. And at still another level, it is a material philosophy of water. Van Leeuwen explores the human relationship to water from a variety of viewpoints: social, religious, artistic, sexual, psychological, technical, and above all architectural. Throughout the book, he weaves a series of analogies to three emblematic animals--frog, swan, and penguin--that represent the three prevailing human attitudes toward water: hydrophilia, hydrophobia, and ambivalence. The books many illustrations--drawings, plans, and photographs--come from an unusual variety of sources, creating what is surely the most provocative visual archive of the swimming pool ever assembled.This book is the second in a planned tetralogy by the author, with each volume centered on the relationship of architecture to one of the four classical elements: sky, water, fire, and earth. The first volume was The Skyward Trend of Thought: The Metaphysics of the American Skyscraper (MIT Press, 1988). The third volume, Columns of Fire: Architecture and Destruction, is currently in preparation.andlt;/Pandgt;
Review
" The Springboard in the Pond is a bracing intellectual plunge. A searching exploration of manners, morals, and darker truths in cultural and architectural history, it is both insightfully serious and wildly funny." Thomas S. Hines , Los Angeles Times "[R]ichly written and generously illustrated... van Leeuwen succeeds in showing us the depths beneath the tinest ripples of history." Phil Patton , Civilization The MIT Press
Review
"At a moment where 'all that is solid' seems precarious,Thomas van Leeuwen's History of the Swimming Pool is an heroicand timely attempt to theorize an architecture of the liquid." Rem Koolhaas The MIT Press
Review
andlt;Pandgt;" andlt;Iandgt;The Springboard in the Pondandlt;/Iandgt; is a bracing intellectual plunge. A searching exploration of manners, morals, and darker truths in cultural and architectural history, it is both insightfully serious and wildly funny." andlt;Bandgt;Thomas S. Hines andlt;/Bandgt;, andlt;Iandgt;Los Angeles Timesandlt;/Iandgt;"[R]ichly written and generously illustrated... van Leeuwen succeeds in showing us the depths beneath the tinest ripples of history." andlt;Bandgt;Phil Patton andlt;/Bandgt;, andlt;Iandgt;Civilizationandlt;/Iandgt;andlt;/Pandgt; The MIT Press The MIT Press The MIT Press
Review
andlt;Pandgt;"At a moment where 'all that is solid' seems precarious,Thomas van Leeuwen's andlt;Iandgt;History of the Swimming Poolandlt;/Iandgt; is an heroicand timely attempt to theorize an architecture of the liquid." andlt;Bandgt;Rem Koolhaas andlt;/Bandgt;andlt;/Pandgt; The MIT Press
Synopsis
In The Springboard in the Pond, Thomas van Leeuwen looks at the domestic swimming pool and discovers an icon indispensable to the reading of twentieth-century modernism. At one level, the book is a rereading of modern architecture that will leave that story permanently altered. At another level, it is the story of the origin and evolution of the private swimming pool as a building type and cultural artifact. And at still another level, it is a material philosophy of water.This book is the second in a planned tetralogy by the author, with each volume centered on the relationship of architecture to one of the four classical elements: sky, water, fire, and earth. The first volume was The Skyward Trend of Thought: The Metaphysics of the American Skyscraper (MIT Press, 1988). The third volume, Columns of Fire: Architecture and Destruction, is currently in preparation.
Synopsis
A dazzling reflection on the American swimming pool as an icon of modernism and a social, architectural, and psychological phenomenon.
The Springboard in the Pond, Thomas van Leeuwen looks at the domestic swimming pool and discovers an icon indispensable to the reading of twentieth-century modernism. At one level, the book is a rereading of modern architecture that will leave that story permanently altered. At another level, it is the story of the origin and evolution of the private swimming pool as a building type and cultural artifact. And at still another level, it is a material philosophy of water.
This book is the second in a planned tetralogy by the author, with each volume centered on the relationship of architecture to one of the four classical elements: sky, water, fire, and earth. The first volume was The Skyward Trend of Thought: The Metaphysics of the American Skyscraper (MIT Press, 1988). The third volume, Columns of Fire: Architecture and Destruction, is currently in preparation.
Synopsis
In The Springboard in the Pond, Thomas van Leeuwen looks at the domestic swimming pool and discovers an icon indispensable to the reading of twentieth-century modernism.
Synopsis
This book is the second in a planned tetralogy by the author, with each volume centered on the relationship of architecture to one of the four classical elements: sky, water, fire, and earth. The first volume was The Skyward Trend of Thought: The Metaphysics of the American Skyscraper (MIT Press, 1988). The third volume, Columns of Fire: Architecture and Destruction, is currently in preparation.
Synopsis
Although others have written eloquently on the relationship of water to built form, until now no one has investigated the swimming pool as a quintessentially modern and American space, reflecting America's infatuation with hygiene, skin, and recreation. In The Springboard in the Pond, Thomas van Leeuwen looks at a familiar hole--the domestic swimming pool--and discovers an icon indispensable to the reading of twentieth-century modernism.At one level, the book is a rereading of modern architecture that will leave that story permanently altered. At another level, it is the story of the origin and evolution of the private swimming pool as a building type and cultural artifact. And at still another level, it is a material philosophy of water. Van Leeuwen explores the human relationship to water from a variety of viewpoints: social, religious, artistic, sexual, psychological, technical, and above all architectural. Throughout the book, he weaves a series of analogies to three emblematic animals--frog, swan, and penguin--that represent the three prevailing human attitudes toward water: hydrophilia, hydrophobia, and ambivalence. The books many illustrations--drawings, plans, and photographs--come from an unusual variety of sources, creating what is surely the most provocative visual archive of the swimming pool ever assembled.This book is the second in a planned tetralogy by the author, with each volume centered on the relationship of architecture to one of the four classical elements: sky, water, fire, and earth. The first volume was The Skyward Trend of Thought: The Metaphysics of the American Skyscraper (MIT Press, 1988). The third volume, Columns of Fire: Architecture and Destruction, is currently in preparation.
Synopsis
andlt;Pandgt;In The Springboard in the Pond, Thomas van Leeuwen looks at the domestic swimming pool and discovers an icon indispensable to the reading of twentieth-century modernism. At one level, the book is a rereading of modern architecture that will leave that story permanently altered. At another level, it is the story of the origin and evolution of the private swimming pool as a building type and cultural artifact. And at still another level, it is a material philosophy of water.This book is the second in a planned tetralogy by the author, with each volume centered on the relationship of architecture to one of the four classical elements: sky, water, fire, and earth. The first volume was The Skyward Trend of Thought: The Metaphysics of the American Skyscraper (MIT Press, 1988). The third volume, Columns of Fire: Architecture and Destruction, is currently in preparation.andlt;/Pandgt;