Synopses & Reviews
Robin Nelson's State of Play updates and develops the arguments of his influential TV drama In Transition (1997). It is equally distinctive in setting analysis of the aesethetics and compositional principles of texts within a broad conceptual framework (technologies, institutions, economics, cultural trends). Tracing "the great value shift from conduit to content" (Todreas, 1999), Nelson is relatively optimistic about the future quality of TV drama in a global market-place. But, characteristically taking up questions of worth where others have avoided them, Nelson recognizes that certain types of "quality" are privileged for viewers able to pay, possibly at the expense of viewer preference worldwide for "local" resonances in television.
Review
"In State of Play, Robin Nelson carefully analyses the "qualities" of high-end TV drama rather than pursuing one limiting version of "quality". A colourful contribution to debates in Television and Cultural Studies, and a vibrant comparison of American and British TV traditions, this book makes a passionate and, yes, shameless case for viewing much contemporary Television drama as part of a new "Golden Age.""--Matthew Hills, Senior Lecturer in Media and Cultural Studies at Cardiff University.
Synopsis
Robin Nelson's State of play up-dates and develops the arguments of his influential TV Drama In Transition (1997). It is equally distinctive in setting analusis of the aesethetics and compositional principles of texts within a broad conceptual framework (technologies, institutions, economics, cultural trends). Tracing "the great value shift from conduit to content" (Todreas, 1999), Nelson is relatively optimistic about the future quality of TV Drama in a global market-place. But, characteristically taking up questions of worth where others have avoided them, Nelson recognizes that certain types of "quality" are privileged for viewers able to pay, possibly at the expense of viewer preference worldwide for "local" resonances in television. The mix of arts and cultural studies methodologies makes for an unusual and insightful approach.
Synopsis
This book deals with a wide range of 'high-end', expensive and high concept, TV dramas from the UK and the USA and analyses the compositional principles of texts (technologies, institutions, economics, cultrual trends). Drama examined include Oz, Buried Carnivale, Blackpool, The Sopranos, Shameless, and Shooting the Past.
About the Author
Robin Nelson is Professor of Theatre and TV Drama in the Department of Contemporary Arts at Manchester Metropolitan University.
Table of Contents
Mapping the territory; blurring the boundaries * Distinctive product: three kinds of quality: The Sopranos, Shooting the Past, Shameless * State of Play: the TV drama industry - new rules of the game * Pushing the envelope: 'edgy' TV drama, Sex and The City, Queer as Folk, Carniv