Synopses & Reviews
From the preface: "Stephen Leacock is still often regarded as a writer of lightweight amusements and unchallenging satire, as an author without an imaginative centre who lacked a vision of sufficient power and clarity to sustain a lifetime of serious writing. According to this view, which has been too easily received, Leacock squandered an early, promising talent (though he was in fact, middle-aged when he published Sunshine Sketches of a Little Town in 1912), and consequently his writings, like his legendary Lord Ronald, "rode madly off in all directions." After years of chasing down Leacock's numerous literary mounts, I can assert that none of this is true. Leacock's writing emerges from a centre that is the confluence of the two traditions of humanism and toryism, traditions that found in Leacock fertile ground for the propagation of such qualities as tolerance of human fallibility and acceptance of social responsibility. What is remarkable with respect to Leacock's literary output is that even his furthest-flung, seemingly inconsequential humourous pieces move in relation to this tory-humanist centre." Lynch invites us to accompany him on an odyssey through Leacock's two main works, Sunshine Sketches and Arcadian Adventures of the Idle Rich ... He aspires to enlighten the open-minded reader, and is highly successful in doing so." Elspeth Cameron, Coordinator of Canadian Literature and Language Program, New College, University of Toronto
Review
"A succinct and significant overview of the subject...such an overview would be welcomed by a mainline Christian readership...For secular readers of social history...it could provide an honest and interesting glimpse into the ongoing struggle between Christianity and culture." D.J. Hall, Department of Religious Studies, McGill University
Synopsis
Gerald Lynch offers new insights into the work of a popular Canadian humourist in Stephen Leacock: Humour and Humanity. He considers Leacock's satire to be the result of a combination of two traditions - toryism and humanism - and examines the relation between Leacock's theory of humour and his view of the world.
Synopsis
Focusing on five modern "Christs," Alan Davies examines how the Christian church has succumbed to the infection of racist ideas. Using an analysis of the writings of representative philosophic and religious figures, Davies shows that the myths of race and nation, innocent in themselves, have evolved into "sacred" myths and histories which not only infected Christianity but, in the case of Germany and South Africa, served to legitimize ruling racist elites. He traces the course of racism to its roots in the religious, cultural, and intellectual history of western civilization and to its culmination in the formation of the Aryan myth - the great race myth of white Europeans - in the nineteenth century. As Germany played a pivotal role in recent developments of racism, Davies discusses the Germanic Christ first and most extensively. He analyzes French Roman-Catholic racism, particularly its role in the Third Republic, through discussion of the "Latin" Christ. His study of the Anglo-Saxon Christ covers both English and American expressions of racism and their links to imperialism. This is followed by a discussion of Afrikaner racism, and an exploration of black nationalism in the United States and its advocacy of a black Christ. Davies concludes with a discussion of the theological problems arising from the five racial Christs surveyed and the dilemmas posed by the attempt to cast a universal religion in a particular cultural mould.
Description
Includes bibliographical references (p. [177]-193) and index.
About the Author
Alan Davies is a member of the Department of Religious Studies at the University of Toronto.