Synopses & Reviews
Synopsis
Originally presented at the 1987 meeting of the Symposium on Golden Age Theater, these contributions include: The Role of Fortuna and Three Levels of Meaning in the Auto del Rey Assuero cuando ahorco a Aman, by Nancy Mayberry; Magia y hermetismo en La cueva de Salamanca, by Ysla Campbell; Symbols, Referents, and Theatrical Semantics: The Use of Hands in Comedia, by Matthew Stroud; La representacion del sueno y de la imaginacion en el teatro historico-legendario de Lope de Vega, by Teresa J. Kirschner; Peribanez and Economics, by William R. Blue; Don Alvaro de Luna and the Unity of Lope de Vega's Caballero de Olmedo, by Kenneth A. Stackhouse; Toward a Definition of Tirsian Tragedy, by Henry W. Sullivan; Alarcon's Ganar amigos: The King, the Privado, and the Law, by Willard King; El 'infame rito, ' del honor: War in Calderon's A secreto agravio, secreta venganza, by Carol Bingham Kirby; Ellipsis in Calderon's La vida es sueno: The Lack of Feminine Perspectives, by Ester W. Nelson; The Skeptical Premises of Calderon's En esta vida todo es verdad y todo mentira, by Barbara Mujica; Calderonian Honor and the Commedia dell'Arte: Il Medico di Suo Honore, by Nancy L. D'Antuono; The Authorship and Interpretation of the Second Part of La hija del aire, by Michael McGaha; The Harmony/Dissonance of Calderon's El monstruo de los jardines, by Thomas A. O'Connor. Co-published with the Golden Age Spanish Drama Symposium