Synopses & Reviews
Dekker traces the American historical novel from its origins in the early 1800s to the beginning of World War II, examining the genre's connections with Enlightenment and Romantic theories of history, the rise of literary regionalism, the ambitions of Romantic writers to revive the epic and romance, changing gender roles, and individual authors' troubled responses to the modern era's great revolutionary and imperialistic conflicts. Though concerned with the historical romance's development, Dekker devotes most of this book to new readings of major texts by James Fenimore Cooper, Nathaniel Hawthorne, Herman Melville, Mark Twain, Allen Tate, Edith Wharton, Willa Cather, and William Faulkner, as well as to the Briton whose name is synonymous with the genre, Sir Walter Scott.
Review
"The American Historical Romance is the richest, most fully meditated and most rewarding yet written by this author who has been a pioneer...No devotee of the American novel will ignore it." Howard Erskine-Hill, Times Literary Supplement
Synopsis
This book traces the tradition of American historical fiction from its origins in the early nineteenth century to the eve of World War II. However, although inevitably much concerned with the theory of genre and with the specific contents of the genre of historical romance, Professor Dekker devotes most of his book to new readings of major texts by James Fenimore Cooper, Nathaniel Hawthorne, Herman Melville, Mark Twain, Allen Tate, Edith Wharton, Willa Cather, and William Faulkner, as well as to the Briton whose name was synonymous with the genre for most of the nineteenth century - Sir Walter Scott. 'The American Historical Romance is the richest, most fully meditated and most rewarding yet written by this author ... It is the most important book on the relations of British and American fiction to come out for many years. No devotee of the American novel will ignore it.' -- The Times Literary Supplement