Synopses & Reviews
The Cambridge Companion to Brass Instruments provides an overview of the history of brass instruments, and their technical and musical development. Much of the volume is devoted to the way brass instruments have been used in classical music, but there are also important contributions on the ancient world, non-Western music, vernacular and popular traditions and the rise of jazz. The editors are two of the most respected names in the world of brass performance and scholarship, and the list of contributors includes the names of many of the world's most prestigious scholars and performers.
Review
"...the Cambridge Companion contains a very broad survey of the field of brass instruments, with contributions from some of the finest scholars and performers on brass instruments from the United Kingdom and America. This volume is an excellent resource for anyone with minimal knowledge of music....the articles themselves provide balanced views of the subjects at hand. All of the articles are topnotch, with several special highlights....an extremely useful and engaging book. The editors and authors alike are to be congratulated for the balanced scholarship and user-friendly language they have created. This book is valuable to brass enthusiasts of all persuasions." Jeffrey Snedeker, Historic Brass Society Journal
Review
"...a noteworthy addition to the literature." K.R. Dietrich, Choice
Review
"The Cambridge Companion to Brass Instruments is a strong volume and would be a valuable addition to any library on instruments." John Q. Ericson, Journal of the American Musical Instruments Society
Synopsis
An invaluable overview of the history, technical and musical development of brass instruments.
Synopsis
The Cambridge Companion to Brass Instruments provides an overview of the history of brass instruments, and their technical and musical development. Much of the volume is devoted to the way brass instruments have been used in classical music, but there are also important contributions on the ancient world, non-Western music, vernacular and popular traditions and the rise of jazz. The editors are two of the most respected names in the world of brass performance and scholarship, and the list of contributors includes the names of many of the world's most prestigious scholars and performers.
Description
Includes bibliographical references (p. 311-326) and index.
Table of Contents
List of illustrations; Notes on the contributors; Preface; Acknowledgements; Nomenclatures; Introduction Trevor Herbert and John Wallace; 1. Lip-vibrated instruments of the ancient and non-western world Margaret Sarkissian; 2. How brass instruments work Arnold Myers; 3. Design, technology and manufacture before 1800 Robert Barclay; 4. Brass instruments in art music in the Middle Ages Keith Polk; 5. The cornett Bruce Dickey; 6. 'Sackbut': the early trombone Trevor Herbert; 7. The trumpet before 1800 Edward H. Tarr; 8. The horn in the Baroque and Classical periods Thomas Hiebert; 9. Design, technology and manufacture since 1800 Arnold Myers; 10. Keyed brass Ralph T. Dudgeon; 11. The low brass Clifford Bevan; 12. Brass in the modern orchestra Simon Wills; 13. Brass bands and other vernacular brass traditions Trevor Herbert; 14. Playing, learning and teaching brass Ralph T. Dudgeon, Phillip Eastop, Trevor Herbert and John Wallace; 15. The post-classical horn Robert Evans; 16. Jazz, improvisation and brass Roger T. Dean; 17. Brass solo and chamber music from 1800 John Wallace; 18. Frontiers or byways? Brass instruments in avant-garde music Simon Wills; Glossary; Notes; Select bibliography; Index.