Synopses & Reviews
Contributors explore new aspects of composition and performance in this comprehensive examination of the repertory, institutions, performers, composers, and social and cultural world of one of the greatest moments in music history. They consider the cosmopolitan nature of music making; emergence of markets for musical activity; and development of new musical styles and gestures. The work also contains a separate chronology and dictionary-style entries on individuals, places and institutions.
Synopsis
The Cambridge History of Seventeenth-Century Music is a comprehensive interdisciplinary study of European musical culture in the seventeenth century, written by a distinguished team of experts in the field. It provides the latest information on all the established genres of music, such as opera, church and instrumental music, while giving a cultural context that is much richer than traditional studies of the period. The volume also contains a separate chronology and dictionary-style entries on individuals, places and institutions.
Synopsis
A complete examination of the repertoire, institutions, performers, composers, and cultural world of one of the greatest moments in music history. Chapters explore aspects of composition and performance and the development of new musical styles and gestures. Contains a separate chronology and dictionary-style entries on individuals, places and institutions.
About the Author
Tim Carter is the author of the Cambridge Opera Handbook on Mozart's Le nozze di Figaro (1987), Jacopo Peri (1561-1633): his Life and Works (1989), Music in Late Renaissance and Early Baroque Italy (1992), and Monteverdi's Musical Theatre (2002). He has also published numerous journal articles and essays on music in sixteenth- and early seventeenth-century Italy; those to 1998 were reprinted in Music, Patronage and Printing in Late Renaissance Florence and Monteverdi and his Contemporaries (both 2000). In 2001 he moved from Royal Holloway, University of London, to become David G. Frey Distinguished Professor of Music at the University of North Carolina at Chapel Hill.John Butt is Gardiner Professor of Music at the University of Glasgow. His book Playing With History: The Historical Approach to Music Performance (Cambridge, 2002) was the winner of the 2003 Dent Medal, and was shortlisted for the 2003 British Academy Book Prize. He is the author of Music Education and the Art of Performance in the German Baroque (Cambridge, 1994), Bach: Mass in B Minor (Cambridge Music Handbooks, 1991) and Bach Interpretation (Cambridge, 1990), and has edited the Cambridge Companion to Bach (1997).