Synopses & Reviews
This is one of the most important studies in decades on Johannes Kepler, among the towering figures in the history of astronomy. Drawing extensively on Kepler's correspondence and manuscripts, James Voelkel reveals that the strikingly unusual style of Kepler's magnum opus, Astronomia nova (1609), has been traditionally misinterpreted. Kepler laid forth the first two of his three laws of planetary motion in this work. Instead of a straightforward presentation of his results, however, he led readers on a wild goose chase, recounting the many errors and false starts he had experienced. This had long been deemed a confessional mirror of the daunting technical obstacles Kepler faced. As Voelkel amply demonstrates, it is not.
Voelkel argues that Kepler's style can be understood only in the context of the circumstances in which the book was written. Starting with Kepler's earliest writings, he traces the development of the astronomer's ideas of how the planets were moved by a force from the sun and how this could be expressed mathematically. And he shows how Kepler's once broader research program was diverted to a detailed examination of the motion of Mars. Above all, Voelkel shows that Kepler was well aware of the harsh reception his work would receive--both from Tycho Brahe's heirs and from contemporary astronomers; and how this led him to an avowedly rhetorical pseudo-historical presentation of his results. In treating Kepler at last as a figure in time and not as independent of it, this work will be welcomed by historians of science, astronomers, and historians.
Review
"An exceptional and important contribution to history of science studies"--Rhonda Martens, Renaissance Quarterly
Review
"Voelkel . . . offers great reading for the Johannes Kepler aficionado."--Choice
Review
Voelkel . . . offers great reading for the Johannes Kepler aficionado. Choice
Review
An exceptional and important contribution to history of science studies Rhonda Martens
Synopsis
This is one of the most important studies in decades on Johannes Kepler, among the towering figures in the history of astronomy. Drawing extensively on Kepler's correspondence and manuscripts, James Voelkel reveals that the strikingly unusual style of Kepler's magnum opus,
Astronomia nova (1609), has been traditionally misinterpreted. Kepler laid forth the first two of his three laws of planetary motion in this work. Instead of a straightforward presentation of his results, however, he led readers on a wild goose chase, recounting the many errors and false starts he had experienced. This had long been deemed a confessional mirror of the daunting technical obstacles Kepler faced. As Voelkel amply demonstrates, it is not.
Voelkel argues that Kepler's style can be understood only in the context of the circumstances in which the book was written. Starting with Kepler's earliest writings, he traces the development of the astronomer's ideas of how the planets were moved by a force from the sun and how this could be expressed mathematically. And he shows how Kepler's once broader research program was diverted to a detailed examination of the motion of Mars. Above all, Voelkel shows that Kepler was well aware of the harsh reception his work would receive--both from Tycho Brahe's heirs and from contemporary astronomers; and how this led him to an avowedly rhetorical pseudo-historical presentation of his results. In treating Kepler at last as a figure in time and not as independent of it, this work will be welcomed by historians of science, astronomers, and historians.
Synopsis
"James Voelkel achieves his purpose clearly and forcefully. His scholarship is careful and sound. He has 'done his homework,' followed where his research led him, and written a fine book. Anyone who wants to get to the bottom of Kepler's processes needs to work his way through this book, making it his own."
--Curtis Wilson, St. John's College"This book is not merely a significant contribution to our understanding of Kepler; it is arguably the most important contribution since the pioneering work of C. Wilson and E. J. Aiton in the 1960s. The technical problems in studying the highest levels of early modern astronomy have until now distracted historians from looking at the reasons Kepler wrote his most important book, the Astronomia nova, as he did. Voelkel has finally done this, and it's about time somebody did."--Bruce Stephenson, Adler Planetarium, author of Kepler's Physical Astronomy (Princeton)
Synopsis
"James Voelkel achieves his purpose clearly and forcefully. His scholarship is careful and sound. He has 'done his homework,' followed where his research led him, and written a fine book. Anyone who wants to get to the bottom of Kepler's processes needs to work his way through this book, making it his own."--Curtis Wilson, St. John's College
"This book is not merely a significant contribution to our understanding of Kepler; it is arguably the most important contribution since the pioneering work of C. Wilson and E. J. Aiton in the 1960s. The technical problems in studying the highest levels of early modern astronomy have until now distracted historians from looking at the reasons Kepler wrote his most important book, the Astronomia nova, as he did. Voelkel has finally done this, and it's about time somebody did."--Bruce Stephenson, Adler Planetarium, author of Kepler's Physical Astronomy (Princeton)
Synopsis
This is one of the most important studies in decades on Johannes Kepler, among the towering figures in the history of astronomy. Drawing extensively on Kepler's correspondence and manuscripts, James Voelkel reveals that the strikingly unusual style of Kepler's magnum opus,
Astronomia nova (1609), has been traditionally misinterpreted. Kepler laid forth the first two of his three laws of planetary motion in this work. Instead of a straightforward presentation of his results, however, he led readers on a wild goose chase, recounting the many errors and false starts he had experienced. This had long been deemed a confessional mirror of the daunting technical obstacles Kepler faced. As Voelkel amply demonstrates, it is not.
Voelkel argues that Kepler's style can be understood only in the context of the circumstances in which the book was written. Starting with Kepler's earliest writings, he traces the development of the astronomer's ideas of how the planets were moved by a force from the sun and how this could be expressed mathematically. And he shows how Kepler's once broader research program was diverted to a detailed examination of the motion of Mars. Above all, Voelkel shows that Kepler was well aware of the harsh reception his work would receive--both from Tycho Brahe's heirs and from contemporary astronomers; and how this led him to an avowedly rhetorical pseudo-historical presentation of his results. In treating Kepler at last as a figure in time and not as independent of it, this work will be welcomed by historians of science, astronomers, and historians.
Synopsis
"James Voelkel achieves his purpose clearly and forcefully. His scholarship is careful and sound. He has 'done his homework,' followed where his research led him, and written a fine book. Anyone who wants to get to the bottom of Kepler's processes needs to work his way through this book, making it his own."--Curtis Wilson, St. John's College
"This book is not merely a significant contribution to our understanding of Kepler; it is arguably the most important contribution since the pioneering work of C. Wilson and E. J. Aiton in the 1960s. The technical problems in studying the highest levels of early modern astronomy have until now distracted historians from looking at the reasons Kepler wrote his most important book, the Astronomia nova, as he did. Voelkel has finally done this, and it's about time somebody did."--Bruce Stephenson, Adler Planetarium, author of Kepler's Physical Astronomy (Princeton)
About the Author
James R. Voelkel is capabilities manager of the History of Recent Science and Technology web project located at the Dibner Institute for the History of Science and Technology in Cambridge, Massachusetts. He has taught astronomy and history of science at Harvard University, Williams College, and The Johns Hopkins University, and is the author of Johannes Kepler and the New Astronomy.
Table of Contents
List of Illustrations ix
Acknowledgments xi
Preface xiii
Introduction 1
PART 1: THE MYSTERIUM COSMOGRAPHICUM 11
CHAPTER ONE: The Copernican Context 13
CHAPTER TWO: The Development of the Mysterium cosmographicum 26
CHAPTER THREE: The Mysterium cosmographicum 46
CHAPTER FOUR: Responses to the Mysterium cosmographicum 60
PART 2: THE ASTRONOMIA NOVA 93
CHAPTER FIVE: Kepler and Tycho 97
CHAPTER SIX: Kepler's Work after Tycho's Death 130
CHAPTER SEVEN: The Tychonics 142
CHAPTER EIGHT: David Fabricius 170
CHAPTER NINE: The Rhetorical Character of the Astronomia nova 211
CONCLUSION 247
Notes 255
Bibliograpby 295
Index 301
Index of Correspondence 307