Synopses & Reviews
The Fame Machine explores how the concept of the literary career was reshaped by the commodification of writing in the eighteenth century, a period between an age of substantial sponsorship by the nobility and the fully developed literary market of the nineteenth century. It argues that, as the conditions of literary production shifted from a patronage system to an open market, the traditional means by which authors measured their success and acquired their credentials changed as well. The book shows how critical periodicals assumed the role of official arbiters of literary merit. In tracing this process, the author focuses on two successful journals, the Monthly Review (founded in 1749) and the Critical Review (founded in 1756), which dedicated themselves exclusively to reviewing new publications. Examining the professional lives of Laurence Sterne, Oliver Goldsmith, Tobias Smollett, and several woman authors, the book makes the case that the Reviews had a considerable influence on the course of literary careers.
Synopsis
A Stanford University Press classic.
Synopsis
The author argues that, as the conditions of literary production shifted from a patronage system to an open market, the traditional means by which authors measured their success and acquired their credentials changed as well.
Description
Includes bibliographical references (p. [197]-207) and index.
Table of Contents
Introduction; 1. Review criticism and reading: 1749-75; 2. 'I wrote not to be fed but to be famous' Laurence Sterne; 3. 'He never gives us nothis that's low' Oliver Goldsmith; 4. 'It is better to be envied than despised' Tobias Smollett; 5. 'Our last expedient': female literary careers; Notes; Works cited; Index.