Synopses & Reviews
Among Nashvilleandrsquo;s many slogans, the one that best reflects its emphasis on manners and decorum is the Nashville Way, a phrase coined by boosters to tout what they viewed as the cityandrsquo;s amicable race relations. Benjamin Houston offers the first scholarly book on the history of civil rights in Nashville, providing new insights and critiques of this moderate progressivism for which the city has long been credited.
Civil rights leaders such as John Lewis, James Bevel, Diane Nash, and James Lawson who came into their own in Nashville were devoted to nonviolent direct action, or what Houston calls the andldquo;black Nashville Way.andrdquo; Through the dramatic story of Nashvilleandrsquo;s 1960 lunch counter sit-ins, Houston shows how these activists used nonviolence to disrupt the coercive script of day-to-day race relations. Nonviolence brought the threat of its oppositeandmdash;white violenceandmdash; into stark contrast, revealing that the Nashville Way was actually built on a complex relationship between etiquette and brute force. Houston goes on to detail how racial etiquette forged in the era of Jim Crow was updated in the civil rights era. Combined with this updated racial etiquette, deeper structural forces of politics and urban renewal dictate racial realities to this day.
In The Nashville Way, Houston shows that white power was surprisingly adaptable. But the black Nashville Way also proved resilient as it was embraced by thousands of activists who continued to fight battles over schools, highway construction, and economic justice even after most Americans shifted their focus to southern hotspots like Birmingham and Memphis.
Review
andldquo;The civil rights saga of Nashville in the decades following World War II is a complicated and bittersweet story of struggle and resistance, change and continuity, success and disappointment; and Houston captures it all with a rich narrative of black and white southerners engaged in a historical drama of national and even international importance. The first book to offer a comprehensive and balanced study of the cityandrsquo;s distinctive racial and movement cultures, The Nashville Way fills an enormous gap in civil rights and southern historiography.andrdquo;andmdash;Raymond Arsenault, author of Freedom Riders: 1961 and the Struggle for Racial Justice
Review
andldquo;Houstonandrsquo;s book details the particular nature of the Nashville community and the way civil rights unfolded there but also adds to our understanding of the civil rights movement more broadly. It is engagingly written, even gripping at times, and its audience should include the educated bookbuying public in and around Nashville.andrdquo;andmdash;Tracy E. Kandrsquo;Meyer, author of Civil Rights in the Gateway to the South: Louisville, Kentucky, 1945andndash;1980
Review
andldquo;Any interested in black power and white response in the South will find [The Nashville Way] a specific title, perfect for college-level social issues holdings.andrdquo;andmdash;Midwest Book Review
Review
andquot;The Nashville Way, the first scholarly work and the first history of civil rights in Nashville since David Halberstam's The Children, fills a gap in civil rights and southern historiography. It should be of interest to anyone interested in the history of Nashville and the African American struggle for racial justice during the movement for civil rights.andquot;andmdash;Linda T. Wynn, The Courier
Review
andldquo;Nashville, Tennessee had perhaps the most fully formed of the student-centered civil rights movements that emerged in the early 1960s. Houston tells the story of this movement in substantial depth in this fine monograph.andrdquo;andmdash;D. C. Catsam, Choice
Review
andldquo;Houston has effectively revealed the turmoil and struggle behind the veil of racial etiquette and gentility in this southern city.andrdquo;andmdash;Victoria Wolcott, American Historical Review
Review
andldquo;This is the kind of book on local aspects of the civil rights movement that could be confidently recommended to undergraduate students, in the knowledge that they would find it accessible, meaningful, and human.andrdquo;andmdash;Mark Ellis, Oral History
Review
andldquo;[Houstonandrsquo;s] beautifully narrated yet sometimes-dense stories form part of the growing scholarship on local movement histories andndash; and the evolving resistance to them andndash; and add to the many publications about Nashville.andrdquo;andmdash;Franandccedil;oise N. Hamlin, Journal of American History
About the Author
Benjamin Houston is a lecturer at Newcastle University in the United Kingdom. He is the former director of the Remembering African American Pittsburgh oral history project at the Center for Africanamerican Urban Studies and the Economy at Carnegie Mellon University.
Table of Contents
Acknowledgments ix
Introduction. The Nashville Way 1
One. A Manner of Segregation: Lived Race Relations and Racial Etiquette 13
Two. The Triumph of Tokenism: Public School Desegregation 47
Three. The Shame and the Glory: The 1960 Sit- ins 82
Four. The Kingdom or Individual Desires?: Movement and Resistance during the 1960s 123
Five. Black Power/ White Power: Militancy in Late 1960s Nashville 164
Six. Cruel Mockeries: Renewing a City 202
Epilogue. Achieving Justice 235
Notes 243
Bibliography 295
Index 311