Synopses & Reviews
In these essays, a range of leading scholars seek both to investigate the historical, institutional and philosophical origins of deconstruction and to think through the problem of the idea of origin itself.
About the Author
MARTIN MCQUILLAN is Professor of Cultural Theory and Analysis in the Centre for Cultural Studies at the University of Leeds, UK.
IKA WILLIS is Lecturer in Classics at the University of Bristol, UK, where she also teaches in the Department of English Literature.
Table of Contents
Foreword: 'Taught by Love'--
M.McQuillan * Notes on Contributors * Introduction: The Origins of Deconstruction: Derrida's Daughters--
I.Willis * PROLOGUE * Jacques Derrida, 'Between the writing body and writing': An interview with Daniel Ferrer * Hlne Cixous, 'First of all (from the margins) I am a reader reading: An interview with Daniel Ferrer * PART I: INCUBATION *
Dating-Deconstruction--M.Froment-Meurice * The Course of a General Displacement, or, The Course of the Choreographer--L.Turner * Feminine Endings: Didos Telephonic Body and the Originary Function of the Hymen--I.Willis * On Prejudice and Foretelling 2--T.Docherty * Extremes Meet--J.M.Rabate * PART II: INAUGURATION * The Opening to Infinity: Derridas Quasi-Transcendentals--C.Colebrook * Splitting the Origin: Writing and Responsibility--M.Grebowicz *
Derridean Beginning and Deleuzian Becoming--P.Patton * 'Words of Air': On Breath and Inspiration--C.Baracchi * PART III: INSTALLATION * Illegibility: On the Spirit of Origins--J.P.Leavey * Origins of Deconstruction? Deconstruction, That Which Arrives (If It Arrives)--J.Wolfreys * Philosophy of Cinders and Cinders of Philosophy: A Commentary on the Origins of Deconstruction and the Holocaust--R.Eaglestone * The Beginnings of Art: Heidegger and Bataille--G.Bucher * Aesthetic Allegory: Reading Hegel after Bernal--M.McQuillan * Notes * Index