Synopses & Reviews
Richard Delgado is one of the most evocative and forceful voices writing on the subject of race and law in America today.
The New York Times has described him as a pioneer of critical race theory, the bold and provocative movement that, according to the
Times "will be influencing the practice of law for years to come. "
In The Rodrigo Chronicles, Delgado, adopting his trademark storytelling approach, casts aside the dense, dry language so commonly associated with legal writing and offers up a series of incisive and compelling conversations about race in America. Rodrigo, a brash and brilliant African-American law graduate has been living in Italy and has just arrived in the office of a professor when we meet him. Through the course of the book, the professor and he discuss the American racial scene, touching on such issues as the role of minorities in an age of global markets and competition, the black left, the rise of the black right, black crime, feminism, law reform, and the economics of racial discrimination.
Expanding on one of the central themes of the critical race movement, namely that the law has an overwhelmingly white voice, Delgado here presents a radical and stunning thesis: it is not black, but white, crime that poses the most significant problem in modern American life.
Review
"An excellent starting place for the national discussion about race we so desperately need."
"A novel in which two 'intellectuals of color'the narrator, a middle-aged law professor, and his protege, Rodrigo Crenshawsit down and hash out the issues of our time. . . Intellectually exuberant"
"A probing, thoughtful explication of the unexamined myths and assumptions that condition so many current U.S. public policy debates."
"Richard Delgado is a triple pioneer. He was the first to question free speech ideology; he and a few others invented Critical Race Theory, and he is both a theorist and an exemplar of the importance of story-telling to the workings of the law. This volume brings all of Delgado's strengths together in a stunning performance."
Synopsis
Dubbed a pioneer of critical race theory, Delgado offers a book of compelling conversations about race in America
Richard Delgado is one of the most evocative and forceful voices writing on the subject of race and law in America today. The New York Times has described him as a pioneer of critical race theory, the bold and provocative movement that, according to the Times will be influencing the practice of law for years to come.
In The Rodrigo Chronicles, Delgado, adopting his trademark storytelling approach, casts aside the dense, dry language so commonly associated with legal writing and offers up a series of incisive and compelling conversations about race in America. Rodrigo, a brash and brilliant African-American law graduate has been living in Italy and has just arrived in the office of a professor when we meet him. Through the course of the book, the professor and he discuss the American racial scene, touching on such issues as the role of minorities in an age of global markets and competition, the black left, the rise of the black right, black crime, feminism, law reform, and the economics of racial discrimination.
Expanding on one of the central themes of the critical race movement, namely that the law has an overwhelmingly white voice, Delgado here presents a radical and stunning thesis: it is not black, but white, crime that poses the most significant problem in modern American life.
Synopsis
Richard Delgado is one of the most evocative and forceful voices writing on the subject of race and law in America today.
The New York Times has described him as a pioneer of critical race theory, the bold and provocative movement that, according to the
Times "will be influencing the practice of law for years to come. "
In The Rodrigo Chronicles, Delgado, adopting his trademark storytelling approach, casts aside the dense, dry language so commonly associated with legal writing and offers up a series of incisive and compelling conversations about race in America. Rodrigo, a brash and brilliant African-American law graduate has been living in Italy and has just arrived in the office of a professor when we meet him. Through the course of the book, the professor and he discuss the American racial scene, touching on such issues as the role of minorities in an age of global markets and competition, the black left, the rise of the black right, black crime, feminism, law reform, and the economics of racial discrimination.
Expanding on one of the central themes of the critical race movement, namely that the law has an overwhelmingly white voice, Delgado here presents a radical and stunning thesis: it is not black, but white, crime that poses the most significant problem in modern American life.
Synopsis
Between the end of the nineteenth century and the eve of World War II, Africans displaced by colonial rule aggrandized the attainments of American blacks, creating an African american myth that played an important role in their religious, political and social life. This myth, while existing in direct contradiction to the intense discrimination faced by black people in the United States, provided Africans with an inspirational model upon which to improve their lives.
Africans on African-Americans traces the development of the African American myth and the way in which the Liberal Movement in South Africa looked to America for a formula for racial harmony that eluded their troubled country. While highlighting the strength of the African american myth, Gershoni also demonstrates that everywhere the myth had adherents it also had opponents, who insisted that the solution to Africa's ills lay in African culture and African peoples.
About the Author
Richard Delgado and Jean Stefancic are Professors of Law at Seattle University and have collaborated on four previous books, including The Latino Condition, 2d edition (NYU Press, 2010), The Derrick Bell Reader (NYU Press, 2005), How Lawyers Lose Their Way: A Profession Fails Its Creative Minds, and Understanding Words That Wound.