Synopses & Reviews
Hand in hand with such health crises as HIV/AIDS, breast cancer, and the resurgence of tuberculosis has come an explosion of scientific and medical technologies. As technology documents illness with ever greater precision and clarity, the knowledge and vocabulary of patients is being similarly expanded by activists, consumer advocates, and artists working with new electronic technologies.
Into this breach steps The Visible Woman, collecting professional, academic, and lay viewpoints on gender and the role of visual and textual representation in contemporary health and science. From fetal photography and mammography to mental retardation and chronic fatigue syndrome, The Visible Woman reveals how identities are constructed in medical research and public health initiatives, as well as in popular press accounts of health. New ways of seeing the body, through medical imaging, plastic and sexual surgery, and services for people with disabilities, are all informed, the book argues, by a broader cultural fascination with visuality and media.
Emphasizing the authors' first-hand experiences as medical practitioners, activists, scholars, and patients, The Visible Woman breaks with more established approaches that cast patients as passive objects of medical inquiry, and medical professionals as perpetrators of institutional exploitation in the name of the public good. Asking what it means to be on both ends of the microscope, The Visible Woman highlights the complex perspectives of medical and scientific practitioners who themselves exist both inside and outside their workplaces and professional identities.
The contributors are Michael Bérubé, Lisa Cartwright, Stacie A. Colwell, Richard Cone, Anne Eckman, Valerie Hartouni, Janet Lyon, Emily Martin, Gaye Naismith, Mark Rose, Ella Shohat, Vivian Sobchack, Carol Stabile, Sandy Stone, and Paula A. Treichler.
Review
". . . this volume has much to offer readers interested in science and technology and constructs of the body, expecially the 'normal' body." -Disabilities Studies Quarterly,
Synopsis
Throughout his life, Walt Whitman continually revised and re-released
Leaves of Grass. He added and deleted words, emended lines, divided poems, dropped and created titles, and shifted the order of poems.
Leaves of Grass: A Textual Variorum of the Printed Poems includes all the variants that Whitman ever published, from the collection's first appearance in 1855 through the posthumous "Old Age Echoes" annex printed in 1897. Each edition was unique, with its own character and emphasis, and the
Textual Variorum enables scholars to follow the development of both the individual poems and the work as a whole.
Volume I contains introductory material, including a chronology of the poems and a summary of all the editions and annexes, along with the poems from 1855 and 1856. Volume II includes the poems from 1860 through 1867, including the first appearance of "When Lilacs Last in the Door-Yard Bloom'd" and "O Captain! my Captain!" Volume III features the poems 1870-1891, plus the "Old Ages Annex" and an index to the three-volume set.
About the Author
Paula Treichler is Professor of Medicine, Communication, and Women's Studies at the University of Illinois at Urbana-Champaign. She is the author of the forthcoming book
How to Have Theory in an Epidemic.
The author of Screening the Body: Tracing Medicine's Visual Culture, Lisa Cartwright is Associate Professor of English at the University of Rochester.
Constance Penley teaches in Film Studies and Women's Studies at the University of California-Santa Barbara. Her most recent book is NASA/TREK: Popular Science and Sex in America.
Constance Penley teaches in Film Studies and Women's Studies at the University of California-Santa Barbara. Her most recent book is NASA/TREK: Popular Science and Sex in America.