Synopses & Reviews
An award-winning actor on screen and stage (
The Defiant Ones,
The African Queen,
The Sound of Music,
My Fair Lady,
Fiddler on the Roof), an activist for civil rights and progressive causes worldwide, and a singer whose voice has won him great applause, Theodore Bikel here tells his own compelling life story. Born in Austria, raised in Palestine, educated in England, and with a stellar career in the United States and around the world, Bikel offers a personal history parallel to momentous events of the twentieth century. In an eloquent, fiercely committed voice, he writes of the Third Reich, the birth of the State of Israel, the McCarthy witch hunts of the 1950s, the tumultuous 1960s in America, and events in the Middle East.
and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160; In this edition celebrating Bikeland#8217;s ninetieth birthday, he looks back in a new chapter at his youth in prewar Vienna, his adolescent years, his continued joy in performing timeless songs, his return to Vienna in recent years, and the active life that keeps him feeling young even after nearly a century of adventure.
Review
and#147;Bountiful and rewarding: an intimate memoir by an actor who is passionate on the subject of acting, a generous and endearing storyteller, and an eye-witness to history.and#8221;and#151;Jonathan Kirsch,
Los Angeles TimesReview
and#147;Bikel has been an articulate spokesman against oppression, dictatorship, inhumanity, war.and#8221;and#151;
Boston GlobeReview
and#147;An engaging, well-written memoir . . . full of theater stories about playing Mitch opposite Vivien Leighand#8217;s Blanche in the London production of
A Streetcar Named Desire, playing Baron von Trapp opposite Mary Martinand#8217;s Maria in
The Sound of Music, and of course his many performances as Tevye [in
Fiddler on the Roof].and#8221;and#151;
Oakland TribuneReview
“Carl Djerassi can write knowledgeably and wittily not only about scientists, but also about smart, competitive, obsessive people from many other walks of life.”—David Lodge, author of Changing Places and A Man of Parts
Review
“One of the pleasures of Carl Djerassi’s witty, richly detailed stories is that they have the rare merit of letting us look into some special works—art, science—that are usually closed to writers who are only writers. The pen of the trained observer is as acute as his eye.”—Diane Johnson, author of L’Affaire
Review
“These stories describe abstract conflicts, jockeying for prestige, or social interactions seen as complexes of negotiation, and the pleasure they give is akin to that of being taken through a skillful game of chess by an explicitly authoritative commentator.”—Colin Greenland, Times Literary Supplement
Review
“This was a meal which, the more I ate, the hungrier I became. . . . The stories are attitudinal and intellectual, even instructive. They bring the reader into the culture and ‘cultivated taste’ of the sophisticated, worldly, even jaunty Djerassi: upper-crust Brits, opera, food, art, money, and sex (and sex and sex). . . . These stories are sophisticated fun.”—Jeffrey I. Seeman,
Chemical & Engineering NewsSynopsis
An award-winning actor, an activist for civil rights and progressive causes worldwide, and a singer whose voice has won him great applause, Theodore Bikel here tells his own compelling life story. With a new chapter as he turns ninety.
Synopsis
Carl Djerassi crafts a shrewd collection of comedies of manners, exposing the foibles of elite tribes—business executives, chefs, scientists, professors, musicians, and other clever characters. They spar in battles of one-upmanship using class, education, gender, or prestige as their weapons, sometimes leaving damaged bystanders in their wake but sometimes finding their superiority deflated by unexpected turns of events.
About the Author
Carl Djerassi (1923–2015) was the author of many novels, plays, essays, poetry, and short stories published in twenty languages. Renowned as both a writer and a scientist, he was an emeritus professor of chemistry at Stanford University and the recipient of thirty honorary doctorates as well as many international scientific honors. His books published by the University of Wisconsin Press are:
How I Beat Coca-Cola and Other Tales of One-Upmanship;
Foreplay: Hannah Arendt, the Two Adornos, and Walter Benjamin;
Sex in an Age of Technological Reproduction:? "ICSI" and "Taboos"; and
A Diary of Pique 1983–1984 /
Ein Tagebuch des Grolls 1983–1984.
Table of Contents
Prefaceand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
1 Flashbackand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
2 Hebrew Theatreand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
3 . . . Trippingly on the Tongueand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
4 The Kindness of Strangersand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
5 The Guitars of the Exileand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
6 East End, West End, and the Palaceand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
7 How Much Does He Want?and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
8 Americaand#151;Love at First Sightand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
9 Folk Lureand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
10 Peregrinationsand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
11 The Hills Are Aliveand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
12 Union Duesand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
13 Come, Let Us Reason Togetherand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
14 I Sing and I'll Keep Singingand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
15 Versatilityand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
16 Tevyeand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
17 From Jerusalem to Jerusalemand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
18 Entebbe, Vanessa, and Other Thoughtsand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
19 Zorbaand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
20 Toward the Millenniumand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
and#160;
Epilogueand#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
Postscript 2002and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
Postscript 2014and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;
Index