Synopses & Reviews
My memories are so like that hat full of butterflies, some already deteriorating the moment they are collected, some breathed back to life now and again, for a brief moment, by the scent on a passing wind-the smell of an orange, perhaps, or a whiff of brown-sugar fudge-before drifting away, just out of my reach. How much of myself flits away with each of these tattered memories? How much of myself have I already lost? (Turtle Valley, p. 289)Kat has returned with her disabled husband and young son to her familys homestead in Turtle Valley, in British Columbias Shuswap-Thompson area. Fire is sweeping through the valley in a ruthless progression toward the farm and they have come to help her frail parents pack up their belongings. Kats mother, Beth, (the now elderly protagonist of Anderson-Dargatzs first novel, the award-winning The Cure for Death by Lightning) is weighed down by her ailing husband, Gus, and by generations of accumulated detritus. But there is something else weighing her down, a secret she has guarded all her life. Kat is determined to get to its source before fire eats up all that is left of the familys memories.
Kat has her own burdens. Her father is dying, and the family has chosen to keep him home as long as possible in defiance of the approaching flames. Beth is showing signs of early dementia. And her husband, Ezra, is a husk of his former self, stolen from her years ago by a stroke and now battling frightening mood swings and a trick memory. Once filled with passion and hope, their relationship has become more like that of nursemaid and invalid.
Now thrust into contact with her parents neighbour Jude, her lover before Ezra, Kat finds his strength attractive, as well as his ongoing passion for her. As she considers her choices in love, Kat discovers that her grandmother, Maud, to whom she bears an uncanny resemblance, was once faced with a similar dilemma when forced to choose between the capricious violence of her shell-shocked husband, John Weeks, and the rugged constancy of their neighbour Valentine Svensson. Leafing through Mauds scrapbooks and long-hidden love letters, Kat begins to unravel the mystery of her grandfathers disappearance in the mountains. She is to find that like most family secrets, this one is tangled amidst generations of grief.
As sparks rain down upon them, Kat tries to hold her family together, soothing Ezras rages, comforting their son, Jeremy, tending to her mothers fragile mental state and striving to keep her father at home and comfortable as he nears death. Masses of ladybugs swarm through the house and panicked birds smash windows. Shadowy ghosts flit in and out of the encroaching smoke. All around them the landscape burns and terrible choices must be made. What can be salvaged? What will survive after Turtle Valley has burned?
Turtle Valley is a novel of reconciliation and hope in the midst of terrible loss. Part ghost story, part mystery, part romance, the novel transcends these genres and carries its readers into new territories of forgiveness and acceptance of the difficult choices we all must make in finding our way through life and love.
From the Hardcover edition.
About the Author
Turtle Valley is the fifth book to come from talented Canadian author Gail Anderson-Dargatz, whose novels have been published in several languages worldwide. Her first novel
The Cure For Death By Lightning met with terrific acclaim and garnered her the UKs Betty Trask Award and a nomination for Canadas Giller Prize.
A Recipe For Bees soon followed with nominations for the Giller and the IMPAC Dublin Award.
A Rhinestone Button was a national bestseller in Canada and her first book,
The Miss Hereford Stories, was shortlisted for the Stephen Leacock Memorial Medal for Humour.
Her style has been called “Margaret Laurence meets Gabriel García Márquez” because her writing tends towards magic realism, but Anderson-Dargatz says the ghosts and premonitions in her novels arise from her familys stories of the Shuswap-Thompson area, which she carefully transcribed. “My father passed on the rich stories and legends about the region I grew up in, which he heard from the interior Salish natives he worked with,” she explains. “And my mother told me tales of her own premonitions, and of ghosts, eccentrics and dark deeds that haunted the area.”
Anderson-Dargatz has recently moved home to British Columbias Shuswap-Thompson area, that landscape found in so much of her writing. She is married to photographer Mitch Krupp, who took the beautiful photos that are reproduced throughout Turtle Valley. Now at work on her next novel, she is an adjunct professor in the creative writing optional-residency MFA program at the University of British Columbia.
Of her inspiration for Turtle Valley, Anderson-Dargatz writes, “It all started back in 1998 when I helped evacuate my parents from the Salmon Arm fire. Almost the whole city was evacuated, in what was the largest peacetime evacuation in the history of BC up to that time. It was both terrifying and visually beautiful, as fire quite literally rained down on the Salmon River Valley. Even as we went through it, I knew I would write of it someday, and I did, in Turtle Valley.”
From the Hardcover edition.
Reading Group Guide
My memories are so like that hat full of butterflies, some already deteriorating the moment they are collected, some breathed back to life now and again, for a brief moment, by the scent on a passing wind–the smell of an orange, perhaps, or a whiff of brown-sugar fudge–before drifting away, just out of my reach. How much of myself flits away with each of these tattered memories? How much of myself have I already lost? (Turtle Valley, p. 289)Kat has returned with her disabled husband and young son to her family’s homestead in Turtle Valley, in British Columbia’s Shuswap-Thompson area. Fire is sweeping through the valley in a ruthless progression toward the farm and they have come to help her frail parents pack up their belongings. Kat’s mother, Beth, (the now elderly protagonist of Anderson-Dargatz’s first novel, the award-winning The Cure for Death by Lightning) is weighed down by her ailing husband, Gus, and by generations of accumulated detritus. But there is something else weighing her down, a secret she has guarded all her life. Kat is determined to get to its source before fire eats up all that is left of the family’s memories.
Kat has her own burdens. Her father is dying, and the family has chosen to keep him home as long as possible in defiance of the approaching flames. Beth is showing signs of early dementia. And her husband, Ezra, is a husk of his former self, stolen from her years ago by a stroke and now battling frightening mood swings and a trick memory. Once filled with passion and hope, their relationship has become more like that of nursemaid and invalid.
Now thrust into contact with her parents’ neighbour Jude, her lover before Ezra, Kat finds his strength attractive, as well as his ongoing passion for her. As she considers her choices in love, Kat discovers that her grandmother, Maud, to whom she bears an uncanny resemblance, was once faced with a similar dilemma when forced to choose between the capricious violence of her shell-shocked husband, John Weeks, and the rugged constancy of their neighbour Valentine Svensson. Leafing through Maud’s scrapbooks and long-hidden love letters, Kat begins to unravel the mystery of her grandfather’s disappearance in the mountains. She is to find that like most family secrets, this one is tangled amidst generations of grief.
As sparks rain down upon them, Kat tries to hold her family together, soothing Ezra’s rages, comforting their son, Jeremy, tending to her mother’s fragile mental state and striving to keep her father at home and comfortable as he nears death. Masses of ladybugs swarm through the house and panicked birds smash windows. Shadowy ghosts flit in and out of the encroaching smoke. All around them the landscape burns and terrible choices must be made. What can be salvaged? What will survive after Turtle Valley has burned?
Turtle Valley is a novel of reconciliation and hope in the midst of terrible loss. Part ghost story, part mystery, part romance, the novel transcends these genres and carries its readers into new territories of forgiveness and acceptance of the difficult choices we all must make in finding our way through life and love.
From the Hardcover edition.
1. The book opens with an epigraph by T.S. Eliot, an excerpt from the poem "Burnt Norton." Why do you think Anderson-Dargatz chose these words? How are they significant? Look up the original poem if you wish. Do you see any other ways in which this poem and the novel are linked?
2. The opening image of fire on the hillside introduces us to the looming danger that will propel Kat and her family throughout these pages. How has the fire changed their lives by the end of the novel? What would their lives have been like had the fire not swept through the valley?
3. British Columbia’s Shuswap-Thompson landscape and ecosystem are integral to this novel. Discuss the natural world in Turtle Valley. How does it contribute to the mood and progression of plot? How do the various characters relate to their environment?
4. How much of myself flits away with each of these tattered memories? How much of myself have I already lost? (p. 289) Discuss Kat’s recollection of the day she and Ezra collected yellow butterflies with Jeremy. What does that memory mean to her? Do you agree with Kat’s ephemeral description of self and memory?
5. There are several occurrences of trapped and panicked birds in the novel. What do you think they represent?
6. Kat sees swarms of ladybugs in Maud’s carpetbag, within the walls and drawers of the house and at the moment of Gus’s death. What is their significance?
7. Do you see a pattern in the ways in which Beth’s “lightning arm” acts up? What do you think is really going on?
8. Kat looks to the example of her grandmother Maud’s life when choosing whether to leave Ezra for Jude. Discuss her decision, and Maud’s. How does Beth fit into this pattern?
9. Ghosts haunt the landscape of Turtle Valley. Who are they? Who sees them, and why?
10. If you knew a fire was approaching your home, what would you save?
1. The book opens with an epigraph by T.S. Eliot, an excerpt from the poem "Burnt Norton." Why do you think Anderson-Dargatz chose these words? How are they significant? Look up the original poem if you wish. Do you see any other ways in which this poem and the novel are linked?
2. The opening image of fire on the hillside introduces us to the looming danger that will propel Kat and her family throughout these pages. How has the fire changed their lives by the end of the novel? What would their lives have been like had the fire not swept through the valley?
3. British Columbias Shuswap-Thompson landscape and ecosystem are integral to this novel. Discuss the natural world in Turtle Valley. How does it contribute to the mood and progression of plot? How do the various characters relate to their environment?
4. How much of myself flits away with each of these tattered memories? How much of myself have I already lost? (p. 289) Discuss Kats recollection of the day she and Ezra collected yellow butterflies with Jeremy. What does that memory mean to her? Do you agree with Kats ephemeral description of self and memory?
5. There are several occurrences of trapped and panicked birds in the novel. What do you think they represent?
6. Kat sees swarms of ladybugs in Mauds carpetbag, within the walls and drawers of the house and at the moment of Guss death. What is their significance?
7. Do you see a pattern in the ways in which Beths “lightning arm” acts up? What do you think is really going on?
8. Kat looks to the example of her grandmother Mauds life when choosing whether to leave Ezra for Jude. Discuss her decision, and Mauds. How does Beth fit into this pattern?
9. Ghosts haunt the landscape of Turtle Valley. Who are they? Who sees them, and why?
10. If you knew a fire was approaching your home, what would you save?