Introduction
and#160;and#160;and#160;and#160;and#160; Paul Foss
Reviews:
Section 1 andndash;
Mike Kelley andndash; Gagosian Gallery, Beverly Hills CA
and#160;and#160;and#160;and#160;and#160; Tom Allen andndash; Richard Telles Fine Art, Los Angeles
and#160;and#160;and#160;and#160;and#160; Katy Crowe andndash; Los Angeles Harbor College Gallery, Wilmington
and#160;and#160;and#160;and#160;and#160; Misericordia andndash; PRISM, Los Angeles
Roberto Cuoghi andndash; Hammer Museum, Los Angeles
and#160;and#160;and#160;and#160;and#160; Liza Ryan andndash; William Griffin Gallery, Santa Monica CA
and#160;and#160;and#160;and#160;and#160; Das Institut andndash; Kandouml;lnischer Kunstverein, Germany
and#160;and#160;and#160;and#160;and#160; Gerard Byrne andndash; The Renaissance Society, Chicago
and#160;and#160;and#160;and#160;and#160; Subodh Gupta andndash; Hauser and Wirth Outdoor Sculpture, London
and#160;and#160;and#160;and#160;and#160; Robert Mapplethorpe andndash; Alison Jacques Gallery, London
and#160;and#160;and#160;and#160;and#160; Philippe Parreno andndash; Serpentine Gallery, London
Ed Ruscha andndash; Modern Art Museum of Fort Worth, TX
Charlotte Posenenske andndash; John Hansard Gallery, Southampton, UK
and#160;and#160;and#160;and#160;and#160; Rivane Neuenschwander andndash; Kemper Art Museum, St. Louis
and#160;and#160;and#160;and#160;and#160; Elizabeth Peyton andndash; Kemper Art Museum, St. Louis
and#160;and#160;and#160;and#160;and#160; Mark Bradford andndash; ICA, Boston
and#160;and#160;and#160;and#160;and#160; Simon Dybbroe Mandoslash;ller andndash; University of Michigan Museum of Art, Ann Arbor
and#160;and#160;and#160;and#160;and#160; Sue De Beer andndash; Marianne Boesky Gallery, New York
and#160;and#160;and#160;and#160;and#160; K8 Hardy andndash; Reena Spauldings Fine Art, New York
Nancy Holt andndash; Miriam and Ira D. Wallach Art Gallery, Columbia University NY
and#160;and#160;and#160;and#160;and#160; Mary Hrbacek andndash; CREON Gallery, New York
and#160;and#160;and#160;and#160;and#160; Malevich and the American Legacy andndash; Gagosian Gallery, New York
and#160;and#160;and#160;and#160;and#160; Mark Morrisroe andndash; Artists Space, New York
and#160;and#160;and#160;and#160;and#160; Rob Pruitt andndash; Union Square, New York
and#160;and#160;and#160;and#160;and#160; All Insignificant Things Must Disappear andndash; Trinity Museum, New York
and#160;and#160;and#160;and#160;and#160; Roxana Pandeacute;rez-Mandeacute;ndez andndash; Pennsylvania Academy of Fine Arts, Pittsburg
and#160;and#160;and#160;and#160;and#160; Thomas Glassford andndash; Sicardi Gallery, Houston
Section 2 andndash;
Stephen Prina andndash; Secession, Vienna
Cyprien Gaillard andndash; KW Institute for Contemporary Art, Berlin
Andrea Zittel andndash; Regen Projects, Los Angeles
and#160;and#160;and#160;and#160;and#160; Florian Slotawa andndash; Sies + Handouml;ke Galerie, D?sseldorf
and#160;and#160;and#160;and#160;and#160; Xu Bing andndash; British Museum, London
and#160;and#160;and#160;and#160;and#160; Ancestors of Congo Square andndash; New Orleans Museum of Art, LA
and#160;and#160;and#160;and#160;and#160; Gabriel Orozco andndash; Tate Modern, London
Mark Rothko andndash; Whitechapel Gallery, London
and#160;and#160;and#160;and#160;and#160; Ai Weiwei andndash; Central Park, New York
and#160;and#160;and#160;and#160;and#160; Xavier Cha andndash; Whitney Museum of American Art, New York
David Altmejd andndash; Andrea Rosen Gallery, New York
and#160;and#160;and#160;and#160;and#160; EXPRESS+LOCAL andndash; Queens College Art Center, New York
and#160;and#160;and#160;and#160;and#160; Per Kirkeby andndash; Michael Werner, New York
Boris Lurie andndash; Chelsea Art Museum, New York
and#160;and#160;and#160;and#160;and#160; Yigal Ozeri andndash; Mike Weiss Gallery, New York
and#160;and#160;and#160;and#160;and#160; Michail Sailstorfer andndash; Modern Art Oxford, UK
Ryan Trecartin andndash; MoMA P.S.1, Long Island City NY
Martha Wilson andndash; P.P.O.W., New York
Allora and Calzadilla andndash; U.S. Pavilion, Venice
Adolph Gottlieb andndash; Peggy Guggenheim Collection, Venice
Piero Golia andndash; Gagosian Gallery, Beverly Hills CA
and#160;and#160;and#160;and#160;and#160; Monkey Spoon andndash; Kim Foster Gallery, New York
Section 3 andndash;
Matthew Ritchie, LandM Arts, Los Angeles/Schwarzenbergplatz, Vienna
John Chamberlain, Solomon R. Guggenheim Museum, New York
Laurel Nakadate and James Franco, Abrons Art Center, New York
Kate Gilmore, The Pace Gallery, New York
Carsten Handouml;ller, The New Museum, New York
Margeaux Walter, Winston Wandauml;chter Fine Art, New York
Rita Ackermann, Ludwig Museum, Budapest
Venues:
Section 1 andndash;
Takashi Murakami, by Edward Rubin
Section 2 andndash;
The 54th Venice Biennale, by Simon Rees
Profiles:
Section 1 andndash;
Alexis Rockman, by Elaine A. King
Guillermo Kuitca, by Aneta Georgievska-Shine
Vito Acconci, by Karlyn de Jongh and Peter Lodermeyer
Laura Owens, by Otino Corsano
Paul Thek, by Robert McKenzie
Section 2 andndash;
Alex McLeod, by Lisa Paul Streitfield
Alexander Calder, by Mike Rogers
Section 3 andndash;
Graham Gillmore, by Otino Corsano
Adrian Goycoolea, by Brian Willems
Hermann Nitsch, by Karlyn de Jongh
Cyprien Gaillard, by Timothandeacute;e CHaillou
Features:
Section 1 andndash;
Unmanning Grant Wood, by Sue Taylor
Cannibal Holocaust, by Paul Foss
The Future Lies Ahead, by Benjamin Bennett
Section 2 andndash;
Museum Report: Marlene McCarty Goes to War, by Viola Timm
The Podium and the Plinth, by Timothandeacute;e Chaillou
Seeing the Unspeakable, by Allen S. Weiss
Section 3 andndash;
andldquo;Surface Truthsandrdquo; and Surface Tensions, by David Carrier
Immaculate Reception, by Wolf Kittler
In Advance of a Culinary Review, by Allen S. Weiss
iProtest, or Psycho Goes Viral, by Daniel McGrath
Night at the Museum, by Paul Foss
Essays:
Section 1 andndash;
Enter the Void, by Paul Foss
Do Impresarios Dream of 3D Cinema?, by Martin Rosenstock
Trampling Images: Buddhist Art in a World Art History, by David Carrier
Section 2 andndash;
Carving the Genre: andldquo;Feastandrdquo; and the Marrow of Gore, by Martin Rosenstock
Nanny and the Professor, by Harry J. Weil
The Body in the Trunk, by Paul Foss
Meditations on a Chinese Ancestor Portrait, by David Carrier
Section 3 andndash;
Magni-Fire: On Ulrike Ottingerandrsquo;s andldquo;Under Snowandrdquo;, by Laurence A. Rickels
Unspoken Commodities in the Art of the Americas, by Natasha Staller
The Shadow of Shadows, by Allen S. Weiss
Passages:
Section 1 andndash;
Suzanne Doppelt, by Nicholas Alexander Hayes
Duchamp Delayed, by Sue Spaid
Section 2 andndash;
John Currin, by David Carrier
Section 3 andndash;
The Case of California, by Desiree Dandrsquo;Alessandro
Vocational Poetics, by Isaac Linder
Postmortem:
Alexander McQueen, by Lisa Paul Streitfield