Synopses & Reviews
Synopsis
Poetry. Winner of the 2010 Anthony Hecht Poetry Prize. In his splendid new collection, Mark Kraushaar addresses a tentative and awkward, sometimes funny though frequently heart-breaking struggle to find a path to meaning in the world, a task made more difficult still by the struggle itself. In Cake a man arriving too late for his own small birthday party, unable to cajole his exasperated and saddened wife and daughter into staying, watches them exit the diner in which the three have met, then finally opens a book. As the waitress approaches, the narrator asks, "And what in Hell is he reading?" Towards the end of Chiropractor Claims to Travel Through Time (a poem inspired by an AP story), the central character observes of his father, "He tried, I know, / but every evening / watching him watch the tv / I wondered what clues had eluded him. / Constricted, uncontent, incomplete, / what secret had he missed?"
"Once a student told me her father said that when older people cry, they're weeping because the world is beautiful--they already know it's sad. Mark Kraushaar's poems, too, look beyond the sorrow and find instead a world that's almost unbearably lovely. I fell hard for Falling Brick Kills Local Man, Kraushaar's first book; I have an even bigger crush on this one."--David Kirby
"A bell goes tolling over the landscape of Mark Kraushaar's THE UNCERTAINTY PRINCIPLE and its burden is Moment, moment... The word keeps recurring in this engrossing collection. Kraushaar sometimes seems temperamentally as much short story writer as poet (something to be regretted only by those who would keep poetry pure of life's muddy complexities), and many of his poems offer rich, beguiling, abbreviated narratives. The book abounds in character revelations perhaps too modest to be called epiphanies--but moments, even so, whose unlikely glimmerings are welcome and illuminating."--Brad Leithauser
"Mark Kraushaar's THE UNCERTAINTY PRINCIPLE is the best counterargument to the specious claim that narrative poetry is either old fashioned, 'linear' or predictably 'conventional.' These poems have all the excitement and complexity of life as we live it now, together with a depth of speculation that is positively stunning in the light it casts on the intimate nooks and crannies of social experience that all of us encounter but either fail to notice or find words for. The sensation of time is Kraushaar's ultimate subject, but he approaches time so imaginatively, so freshly, through such a detailed range of voices and occasions, in poems that unfold in such surprising yet inevitable ways that one feels as if every other possible subject for a poem--love, death, the struggles of dailiness, the fear of loss, friendship and work, childhood, contingency, and lack of faith--has been woven into the netting of this one obsession. This is a book to be enjoyed and savored, to be read with pleasure and gratitude, to be learned by heart."--Alan Shapiro
Synopsis
Winner of the 2010 Anthony Hecht Poetry Prize, judged by Queen's Gold Medal winner James Fenton.
Mark Kraushaar's new collection represents a tentative, awkward, often funny though frequently heart-breaking struggle to find a path to meaning in the world.
"A repertoire of good stories, and something of the visionary."
Marilyn Nelson
"Generally triggered by something as deceptively simple as a small newspaper item, an overheard remark, or an incident observed in a bus station, Mark Kraushaar's meditative/narrative poems illuminate moments of surreal reality by telling little stories of heartbreakingly human intent."
Peter Stitt, The Gettysburg Review
Mark Kraushaar was born in Washington, D.C., and grew up outside Boston in Concord, Massachusetts. He has worked as a high school English teacher, a taxi driver and a shipyard welder on the Mississippi. He then moved to Wisconsin, where he has worked as a nurse since the mid-1980s. His poems are widely published and have been anthologised in Best American Poetry (2006) and Visiting Walt: Poems Inspired by the Life and Work of Walt Whitman (2003). His debut collection, Falling Brick Kills Local Man, was published by University of Wisconsin Press (2009) as winner of the Felix Pollak Prize, and was also a finalist for the May Swenson Prize, the Juniper Prize and the Walt Whitman Award.