Awards
National Book Critics Circle Award Winner for Poetry
PEN/Jean Stein Book Award Winner
Finalist for the National Book Award for Poetry
From Powells.com
A selection of pivotal works by Indigenous authors.
Staff Pick
Challenging, but wonderfully revolutionary in both content and form. Long Soldier shreds and scatters the language of American colonialism, combining the scraps with shards of Lakota and sculpting them onto the page with a masterful freedom. Recommended By Kai B., Powells.com
Synopses & Reviews
Finalist for the National Book Award for Poetry
WHEREAS her birth signaled the responsibility as mother to teach what it is to be Lakota therein the question: What did I know about being Lakota? Signaled panic, blood rush my embarrassment. What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don't worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father's language. To sing she motions simultaneously with her hands; I watch her be in multiple musics.
— from "WHEREAS Statements"
WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. "I am," she writes, "a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation — and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live." This strident, plaintive book introduces a major new voice in contemporary literature.
Review
"Stranded between two languages, Long Soldier invents her own. She revolutionizes English from the inside, making it more inclusive and, therefore, more American. . . . WHEREAS is palpably contemporary, a rejoinder to the notion that Native Americans are, somehow, less present than anyone else...Together, they 'ink-inject the permanent reminder: I'm here I'm not / numb to a single dot.'" BOMB Magazine
Review
"[Layli Long Soldier] uses urgent, muscular, fiercely vibrant language to explore the very concept of language: how tightly it is bound up with culture, how it shifts and defines the speaker." Library Journal (Starred Review)
Review
"[A] formally ambitious and gut-wrenching debut collection. . . . Employing discrete lyric, conceptual, and concrete forms; extended sequences; and sprawling prose series, . . . Long Soldier underscores how centuries of legal jargon have decimated peoples, their voices, and their languages." Publishers Weekly
Review
"[WHEREAS] reminded me what careful language can do. It made me recommit to writing . . . and made me believe again in the power of writing and the truths that it can reveal for people and what that remembering and honoring the truth can do for the individual, but also for the group, for all of us." Jesmyn Ward, The New York Times Magazine
About the Author
Layli Long Soldier received a 2015 Lannan Fellowship for Poetry, a 2015 National Artist Fellowship from the Native Arts and Cultures Foundation, and a 2016 Whiting Writers' Award. She lives in Arizona and teaches at Diné College.